BLACKPINK’s Rosé is set to lend her distinctive vocals to the high-octane world of Formula One with her contribution to the official “F1: The Album” movie soundtrack.

‘F1’ Movie Soundtrack to Feature BLACKPINK Member Rosé

The Atlantic Records release, which coincides with the global theatrical premiere of Joseph Kosinski’s summer blockbuster F1 on June 27, features an all-star roster—including Ed Sheeran, Doja Cat, Burna Boy, Roddy Ricch, Tate McRae, RAYE, Chris Stapleton, Tiësto & Sexyy Red, Peggy Gou, Madison Beer, Myke Towers, Dom Dolla, and more—underscoring the film’s blend of speed and emotion.

Rosé’s track, titled “Messy,” occupies the fifth slot on the 17-song collection. Produced under the supervision of Atlantic’s Kevin Weaver (known for curating the Barbie and Suicide Squad soundtracks), “Messy” promises to juxtapose introspective lyrics with driving beats—mirroring the film’s themes of redemption and high-stakes competition. Fans can pre-order the album now across digital platforms, as well as in CD, vinyl LP, and even cassette formats.

F1 stars Brad Pitt as Sonny Hayes, a former champion drawn back into the racing world by rookie prodigy Joshua “Noah” Pearce (Damson Idris), with coaching from real-life legend Lewis Hamilton. Kosinski, fresh off the success of“Top Gun Maverick”, filmed sequences at actual Grand Prix events in IMAX-quality, immersing viewers in the rush of 220-mph corners and pit-stop drama. As the film revives the underdog sporting drama, its soundtrack amplifies every turn.

Ahead of the full album drop, the lead single “Lose My Mind” by Don Toliver featuring Doja Cat rolled out on April 30, setting the tone with sleek production and infectious hooks. Following that momentum, Rosé’s “Messy” adds a fresh K-pop lens to the soundtrack’s global fusion of genres.

‘F1: The Album’ lands on June 27, 2025, the same day audiences worldwide buckle in for Kosinski’s F1 feature. Whether you’re a die-hard racing fan or new to the sport, Rosé’s entry alongside her international peers ensures the film’s roar extends far beyond the track—straight into your headphones.