Category: K-POP ARTISTS

On September 19, K-pop sensation TOMORROW X TOGETHER, aka TXT, released a new dance practice video, giving fans an in-depth look into their performance of “Back for More” for the MTV Video Music Awards. This video features all five TXT members—Soobin, Yeonjun, Beomgyu, Taehyun, and Hueningkai—with a Korean dancer filling in for Anitta.

During the ceremony held at New Jersey’s Prudential Center, TXT and Brazilian star Anitta premiered their chart-topping single “Back for More.” This collaboration not only marked their debut of the song but also celebrated their win for Push Performance of the Year.

TXT (투모로우바이투게더), Anitta 2023 VMAs ‘Back for More’ Dance Practice

The performance was nothing short of electrifying. Beomgyu took the stage first, capturing the crowd’s attention with his slick moves. He danced across the LED floor, his arms and legs moving in time to the water “rippling” beneath his feet.

“Back for More” is a hip blend of Anitta‘s Brazilian flair and TXT‘s Korean style, a testament to the star power of both acts. The song, which was eagerly awaited by fans, arrived on streaming platforms on September 15. Additionally, a TXT-only version, along with house and afrobeat remixes, followed on September 18.

TXT was firing on all cylinders

TXT took center stage as the lines “I can see you coming back for more / Coming back for more, if you walk out that door” reverberated throughout the venue. After the chorus, the song took on a Latin feel. Anitta joined the quintet via a back staircase and delivered her verse in English and Spanish.

Their combined energy was palpable, especially during the synchronized sequences that led to a thrilling dance break led by main dancer Yeonjun. Throughout this performance, TXT was firing on all cylinders. They impressed the crowd with their dancing and live singing skills.

TXT feat. Anitta – “Back For More” | 2023 VMAs

TXT‘s performances on American stages, such as their appearances at Lollapalooza in 2022 and 2023, have always garnered attention. However, the VMA debut of “Back For More” underscored their versatility and burgeoning influence in the global music industry. 

Thankfully, MOAs everywhere can relive the performance through the dance practice video. This footage, released today, offers a panoramic view of Anitta’s and TXT’s moves, including the special intro and dance break that wowed the VMA crowd. – K-Pop News Writer

Featured Image: TXT’s synchronization is on point, as always. Source: YouTube/@TXT_bighit.

Tales of grit and determination often shine the brightest in the K-pop scene. Eunseok of RIIZE has such a story, marked by his unique experiences with industry titan SM Entertainment.

Eunseok‘s journey with SM Entertainment is a roller-coaster of opportunities and choices. The company cast him on four separate occasions, and each time, he declined. This decision—which may have had something to do with the fact that he was in middle school when they first approached him—raised eyebrows, given the agency’s stature in the industry. Eventually, he agreed to sign a contract and trained under SM for five years. During his audition at SM, he showcased his vocal prowess with EXO‘s “Growl,” a choice that undoubtedly left an impression.

While many wonder about his reasons for dodging SM at first, Eunseok‘s personality might offer some clues. Although he can be shy, he has a knack for building strong relationships with those around him. His MBTI type, ISTP, often called the “Virtuoso,” aligns with this. ISTPs are independent, practical, and have sharp observational skills. They might seem reserved, but they also adapt easily and connect well when they decide to. Eunseok‘s decisions reflect the ISTP’s desire for autonomy and ability to carve out their own path.

Much ado about Eunseok

Adding to the buzz around Eunseok, SM Entertainment recently dubbed him the official visual of RIIZE. This announcement came as SM Entertainment artists debuted on Weverse, a fan community platform run by HYBE. The transition to Weverse resulted from an agreement between HYBE and Kakao during the acquisition of SM in March. Artists shared welcome messages on this platform and their profiles were updated. Among the descriptions of RIIZE members, Eunseok‘s introduction as the group’s official visual garnered significant attention.

The revelation of Eunseok being the official visual of RIIZE sparked diverse reactions. Some fans expressed surprise and said other members would be a better fit. But most BRIIZE felt Eunseok deserved the title. They said his “gentle” features and height made him the perfect choice. 

Eunseok‘s journey in the K-pop world is a testament to the power of determination and self-belief. His ISTP personality allowed him to navigate the industry on his terms. As RIIZE continues to make waves, fans eagerly anticipate more from Eunseok, a true virtuoso. – K-Pop News Writer

Featured Image: Can you believe Eunseok almost didn’t sign with SM Entertainment? Source: Twitter/@eunseokpictures.

BOYNEXTDOOR, a name rapidly gaining traction in the international music scene, has achieved a significant milestone. On September 18, Billboard officially confirmed that this rookie K-pop group had made their grand entrance into its Top 200 Albums chart. This chart, renowned for ranking the most popular albums in the United States, now features BOYNEXTDOOR‘s new mini album WHY.. at No. 162 for the week ending on September 23.

The group also marked their debut on Billboard’s Artist 100, securing the 64th spot. This is their first-ever appearance on this chart. It showcases their rising popularity and potential to become a big name in the music industry. Furthermore, WHY.. has made its presence felt on other Billboard charts. It entered the World Albums chart at an impressive No. 3 and debuted at No. 10 on both the Top Album Sales chart and the Top Current Album Sales chart.

It’s amazing that BOYNEXTDOOR made a significant impact—and on such prestigious charts, too. Their journey, marked by dedication and talent, serves as an inspiration to aspiring artists. With WHY.., they’ve not only captured the hearts of their fans but also the attention of the global music community. Their agency, KOZ Entertainment, must be very proud.

BOYNEXTDOOR continues to rise

The EP’s tracks tell the story of someone “experiencing a breakup for the first time.” During an EP showcase before its launch, member Riwoo said, “We prepared both together, and we treat them as one big album.” The EP’s songs are characterized by candid lyrics. In a conversation with The Korea Herald, member Woonhak shared that they “used the daily language and gestures of the members in the lyrics,” intending for the tracks to “sound like talking to a friend.”

For those eager to catch a glimpse of BOYNEXTDOOR in action, their recent appearance on the variety show Weekly Idol is available with English subtitles. It offers a delightful insight into the group’s camaraderie, dynamics, and, of course, their music.

https://www.youtube.com/watch?v=cDx1INXFT-A

[ENGSUB] Weekly Idol EP 629 BOYNEXTDOOR

BOYNEXTDOOR’s debut on the Billboard charts is proof of their talent and the influence of K-pop on the world stage. As they continue to rise, one can only anticipate what other milestones Jaehyun, Leehan, Riwoo, Sungho, Taesan, and Woonhak will achieve. – K-Pop News Writer

Featured Image: Congratulations to BOYNEXTDOOR! Source: Twitter/@bonedo_charts.

On September 17, Lee Jeonghyeon and his team, EVNNE, made a notable appearance on the variety show K-Star Next Door. This visit was an essential part of the promotional run leading up to their debut. During their time on the show, host Jonathan Thona encouraged Jeonghyeon and the others—Keita, Park Hanbin, and Yoo Seungeon—to be unfiltered in their responses. They shared insights about their musical journey, the excitement surrounding their debut, and their experiences on Boys Planet.

Those who watched the show know that Jeonghyeon made the Boys Planet finale despite his lack of screen time. When asked to comment on that, Jeonghyeon didn’t hold back. “Honestly, before Boys Planet, I had high expectations because I practiced so much. I thought people would recognize me. I performed, but I wasn’t on TV. Only my reactions appeared on TV. I was so disappointed,” he said.

Probing further, Jonathan asked if Jeonghyeon had anything to say to the show’s staff. Displaying his flair for music, he launched into a spontaneous rap that went, “My part, yo, none of it was on / Yet I made it to the top.” When he finished, he emphasized that he held no grudges against anyone from Boys Planet.

Lee Jeonghyeon continues to dazzle

Jeonghyeon and his fellow members showcased immense talent and dedication on Boys Planet, leaving fans eagerly anticipating EVNNE‘s debut. Their engaging stints on programs like K-Star Next Door have further amplified the excitement, with fans keenly looking forward to their first performance. On September 19, the wait ended as they dropped the mini-album, Target: ME. With six captivating tracks, the album offers a compelling musical journey.

On K-pop survival shows, screen time can dictate one’s fate. Jeonghyeon‘s heartfelt revelations shed light on the challenges budding artists face. Yet, with unmatched talent, determination, and a sprinkle of humor, they continue to dazzle, winning fans across the globe. – K-Pop News Writer

Featured Image: Lee Jeonghyeon wasn’t given a chance to shine on ‘Boys Planet,’ but now he’s shining brightly as a member of EVNNE. Source: YouTube/@Diggle.

BLACKPINK, the crown jewel of YG Entertainment, has recently been thrust into the limelight. Not for their chart-topping hits, but due to remarks made by member Lisa during a recent Seoul show. Her words led to a flurry of speculations, which had a tangible impact on the agency’s stock market performance.

On September 18, YG Entertainment’s stocks exhibited a noticeable dip, closing at a slightly lower price of 78,000 KRW (58.90 USD) per share. Market analysts attribute this 1.64% decline from the previous trading day to the swirling rumors of Lisa‘s potential departure from her group and the agency.

Fueling these speculations was the news from September 15 highlighting Lisa‘s growing closeness to Frédéric Arnault, the son of LVMH’s Chairman and the CEO of TAG Heuer. Rumors are rife that Lisa turned down a whopping 50 Billion KRW (37.6 million USD) offer from YG Entertainment. This rumor alone triggered a 2.9% drop in the company’s stock price.

The future of YG

BLACKPINK’s ‘Born Pink’ world tour finale at Seoul’s Gocheok Sky Dome on September 16 and 17 became a hotbed for fan theories and investor concerns. Lisa‘s heartfelt speech to the BLINKs (BLACKPINK‘s dedicated fanbase) in attendance went viral. 

https://www.tiktok.com/@blinked_area/video/7279757767236144389?is_from_webapp=1&sender_device=pc&web_id=6908322787502065153

She expressed, “This tour was possible thanks to BLINKs, and I was able to perform in various amazing venues. Regardless of the weather, I appreciate your relentless support and enjoyment. Thank you for brightening my 20s.” The vague way she worded her ending ment led many to believe she was saying goodbye to the fans.

The other members’ ending ments couldn’t be more different. Jennie reassured BLINKs by saying, “This year marks our seventh anniversary since debut. I desperately wanted to have an encore finale in Seoul, as I haven’t been able to see many BLINKs in Korea. I’m thrilled and grateful that it happened. Rest assured, we will continue to strive as BLACKPINK.”

With such contrasting statements from the members, the speculations around the status of Lisa‘s contract have only grown.  In the world of K-pop, where every move is scrutinized, the future of BLACKPINK and YG Entertainment in general remains a topic of intense discussion and speculation. – K-Pop News Writer

Featured Image: Lisa’s mother visited her backstage at the ‘Born Pink’ world tour finale in Seoul. Source: Twitter/@BBU_BLACKPINK.

JYP Entertainment has set the K-pop world abuzz with the confirmation of Stray Kids‘ impending return. On September 19, a representative from the company shed light on the group’s current endeavors, revealing that they’re indeed immersed in recording a new album. However, fans must hold onto their excitement a tad longer as the release date remains under wraps. “We will announce the details once everything is firmly in place,” the representative remarked.

Following this announcement, it’s impossible not to reflect on the monumental success of Stray Kids‘ previous album. Their third full-length album, ‘★★★★★’ (Five Star), released in June, wasn’t just another album; it was a testament to the group’s escalating popularity. Not only did it go to No. 1 on the Billboard 200 Albums Chart, but it also shattered sales records. Within a week, the album sold a staggering 3,617,499 copies, an unparalleled achievement in the K-pop industry.

But the accolades didn’t stop there. They further solidified their global prominence by taking home the Best K-Pop trophy for their hit single “S-Class” at the 2023 MTV Video Music Awards. Such recognition underscores the group’s undeniable talent and the unwavering support of their fanbase.

Stray Kids is gearing up for a slew of performances

Moving on from their past achievements, Stray Kids is gearing up to enthrall their fans with a slew of performances. The group has announced the Stray Kids 5-Star Dome Tour 2023 Seoul Special UNVEIL 13, set to take place on October 21 and 22. And for those who thought that was it, there’s more. The group intends to wrap up the tour in a grand fashion by taking it to Japan. They’ll be at the Tokyo Dome on October 28 and 29.

Stray Kids 5-STAR Dome Tour 2023 Seoul Special (UNVEIL 13)

With such an impressive track record and the promise of new music on the horizon, Stray Kids continues to solidify their position as one of the leading fourth-generation groups. Fans worldwide are eagerly awaiting the next chapter in the Stray Kids saga. If history is any indication, they won’t be disappointed. – K-Pop News Writer

Featured Image: After the VMAs, they hunkered down in the studio to work on a new album. Source: Twitter/@Stray_Kids.