Category: BTS

What do generally accepted Kings of K-pop Big Bang and BTS have in common aside from their reign? One, their debut wasn’t really the type that would make the public conclude that they would be the top acts of their generation. Two, their success was translated into both domestic and international markets. Curious to know what the third similarity is? Pretend you didn’t read the title and read on.

BIGBANG: The Kings of Second Generation K-Pop 

You would think that the biggest k-pop act pre-BTS would have had a huge debut, with the rest being history. But then, you would be wrong for a number of reasons. One, YG Entertainment at that time was not as big of a company as it is today. True, it had brand credibility as it was founded by Yang Hyunsuk of the iconic Korean music group Seo Taeji and the Boys, but in terms of financial standing, the company was far from its current status and reputation. The same is true with the company’s breakthrough group. The formation of the group, which was all showcased in the documentary Big Bang Documentary, had the nation recognize the group even before it debuted. Before their debut, not only did they all have to share a tiny room together (that had mice visiting them), but they barely had enough to eat after each day of hard practice and had little to no money to buy food. Even their practice room (if you would call it that as it was just the space where they practiced) where they prepared for their debut was poorly lit and dirty. 

But then, great and well-received music can come from poor conditions, right? Not the case for BIGBANG, as even though the company did take a huge gamble with their debut, the public reception of their first release was lukewarm by any standard. 30,000 copies sold for an EP is definitely characteristic of groups in nugu territory, much more a group that was to be the banner act of one of the Big 3 companies. 

The single albums that followed the debut release Bigbang Vol.1, Big Bang First Single and Big Bang Is V.I.P did not fare any better. It wasn’t until August 2007 when the fortunes of the group finally got reversed, when their first EP, Always was released, led by the single Lies. The song went on to sell 5,000,000 (that’s five million) copies and EP sales went over 101,000. Still not that stellar for the album’s sales figures, but the song’s hit status finally gave the group both the reputation as K-pop superstars and the financial success to back it up. With sold-out concert tours both at home and in Japan and a couple more chart-topping hits (Last Farewell and Haru Haru), it became undeniable that Big Bang had indeed, arrived. As YGE’s founder Yang Hyunsuk accurately pointed out in an interview, it wasn’t YG that made Big Bang. It was Big Bang that made YG.   

Wait, so Big Bang became the representatives of K-pop to the world, and when people (especially international fans) who followed the second generation of k-pop are asked for an example of a k-pop song, they would most likely answer Fantastic Baby or Bang Bang Bang. Which begs the reaction, “Wasn’t hallyu all about Sorry, Sorry and Mr. Simple?” Why has Big Bang overshadowed Super Junior’s legacy overseas? Why hasn’t Super Junior, despite having debuted earlier and having more members made a bigger impact than Big Bang? 

To this issue, things can be very well subjective. By all accounts, considering how many international ELFs are up to now still very active in following and promoting Super Junior and how SJ is still the more visible group after all these years, we can say that SJ is actually bigger than Big Bang. Even when we consider only objective factors like album sales and tickets sold/concert attendance, we can also conclude that SJ is more successful than BB and that BB only edges out SoJu in digital sales. But then, we can also argue that Super Junior just releases more albums and has done more concert tours than BB. After all, let’s not forget that Big Bang is a YG group, which proudly claims to “prioritize quality over quantity” (with the prime example being Lee Hi, who only released two full-length albums and one EP in her 7-year stay with YGE). But, we also have to remember that prior to debuting SJ, SM already had massive successes going as far as H.O.T, Shinhwa, and TVXQ. As mentioned earlier, YG hasn’t had a really successful track record prior to Big Bang, 

VIPs can also argue that perhaps the “bigger impact” of Big Bang on the Korean music landscape, especially when it comes to an international following has to do with image. Being the poster kids of YG Entertainment, Big Bang has always been seen as the cool ones, the ones who do everything with the trademark “YG swag”. Everybody wants to be dripping in sophistication, charisma, and elegance, dressed only in designer clothes and attending by-invitation-only events just like Big Bang. Even their fandom name alludes to that high-class exclusivity – VIPs. On the other hand, SuJu is very accessible, and fun, and doesn’t have even a considerable percentage of swag as BB has.  I mean, can you even imagine GD chasing Daesung or TOP crying over a cracked-open watermelon like what Siwon, Leeteuk, and Kangin did in the Mamacita MV? Heck, can you even imagine Big Bang performing Mamacita, complete with palm-hitting-the-temple choreography?  

To sum it up, Big Bang’s reign in k-pop can be perfectly summarized as the YG machinery in perfect operation. As mentioned above, even during the early years of YG and Big Bang, image and perception are #1. So, in a way, both Big Bang and Super Junior were very effective in securing their rightful places in the k-pop world: As Super Junior is the more accessible group, they are the “Kings of Hallyu” responsible for introducing millions to the eccentric world of k-pop and once you’ve gotten immersed in the world, you’ll be caught breathless at the neverending supply of swag by Big Bang, whose aspirational image easily made them the “Kings of K-pop” of the second generation. 

We’re calling this a draw.

BTS: The Global (K-)Pop Phenomenon

Just like Big Bang, the world’s biggest pop act these days didn’t have a particularly rosy debut. BTS was never in nugu territory from the start, but their first releases from 2 Cool 4 Skool to the next ones, Dark & Wild did not give the Bangtan Boys that breakthrough. Thus, even though songs like No More Dream, Boy in Luv, N.O, Just One Day, and Danger were noticed by both casual fans and music critics as songs with a lot of substance as they reflect the issues of the youth today, they weren’t exactly radio chart-friendly material that could have propelled the boys to the level of being household names. 

Alas, in 2015, a good number of factors combined to give the boys both domestic and international success. BTS started releasing “The Most Beautiful Moment in Life” album series that contained songs  I Need You and Run, which finally allowed the boys to penetrate the top 10 of Korean music charts. Also included in the first TMBMIL EP was Dope, a song that only peaked at #44 in Korea, but started the international breakthrough for the band. To be clear, Dope performed as well as I Need You in the Billboard World Digital Song Sales chart, peaking at number 3, but it sure was the song that made the international audience take notice of the group. 

Not the song per se, but the MV, where the group presented that dance in the chorus with razor-sharp precision, wearing the same white shirts, black pants, and ties. That just blew the mind of hundreds of YouTube reactors who got silenced every time it was time for that chorus. I mean, with the rich history of “boy bands” from New Kids on the Block to 5 Seconds of Summer, nobody, and I mean nobody has given the world a choreographed performance so clean and so tight! As much as you can argue these American reactors haven’t seen an Infinite performance, that Dope MV was so powerful that it propelled content creators on YouTube to not just react to the video, but also learn the choreography and actually do dance covers. 

Now, if you’re being strict that group “breakthroughs” can only happen with chart-topping songs, Bangtan’s international breakthrough finally came in 2016, when Fire took the top spot on the World Digital Song Sales chart. But by this time, YouTube content creators (this was pre-Tiktok, so at that time YouTube power was supreme) had lapped up everything and anything BTS releases, securing the group’s international fanbase. Which begs the question: Although BTS already broke through the Korean market in 2015, was it 2016 when they actually dominated? And by dominate, I mean dominate the Korean market.

Let us remember that by the end of 2016, the Korean public was already thinking of which group will be taking Big Bang’s place as the reigning kings as the members take their leave from the entertainment industry to fulfill their military duties. And by that time, it was almost as if BTS with their sudden national and international success was already on an express route to assume the throne Big Bang was to vacate soon. 

But then, there was EXO. 

EXO had everything going for them – the backing of the industry’s biggest entertainment company, a fanbase that is bordering on fanatic, charismatic personalities, Chinese members that quit the group that all the more swayed public sympathy to their favor, and something that their SME sunbaes Super Junior did not (arguably) – a stronger and more “aspirational” discography that made fans take them more seriously compared to Leeteuk and co, With songs like Growl, Call Me Baby, and Love Me Right, girls swooned at them, while boys wanted to be like them. Definitely a huge difference compared to songs like Cooking? Cooking, Rokuko, SPY, and Mamacita of Super Junior, which although were also huge hits, are not particularly songs people would regularly want on their playlists. 

Thus, when BTS started the year on and with Fire and EXO replied with one hit after another – Lucky One, Monster, Lotto, and Dancing King, it was a full-on battle for supremacy reminiscent of the iconic rivalries k-pop such as H.O.T and Sechkies, Fin.KL and S.E.S, and Girls’ Generation versus 2NE1 (notice that one side is always an SME group?). ARMY and EXO-L (at least domestic during this period)  were claiming victory, with EXO-Ls seeing the finish line in sight. 

Then, in October, BTS released Blood, Sweat, and Tears and moved straight to numero uno. As expected, EXO retaliated with… a ballad. Alas, this is to be expected since EXO has made it somewhat a tradition to release ballads before the year’s end, starting from Miracles in December and has continued with December 2014, and Sing for You. So, for 2016, it was For Life. Still, a very strong release that showcases the group’s superior vocal line. But to pit it against Blood, Sweat and Tears? 2016 was a “monster” year (pun intended) for EXO, but as a popular perception goes, it’s the stronger finish gets remembered more. In this case, Blood, Sweat, and Tears definitely trumped For Life. 

But it’s okay, since 2017 was fast approaching and EXO released Ko Ko Bop to counter BTS’ super strong start with a somewhat Uno reverse move – releasing a ballad entitled Spring Day. True, they coupled it days later with the darker Not Today to balance the very soft, heartbreaking tone of Spring Day, but it just so happened that Spring Day just resonated so much with the Korean public, as what Miracles in December did in 2013, when EXO-Ls somehow had the feeling they would need a miracle a year later, when the Chinese members started quitting from the group. But somehow, Ko Ko Bop was released in July, which gave BTS more room to extend their dominance they started in October 2016 with BS&T, Moreover, SM coupled Ko Ko Bop with the rather cartoon-ish Power, which revived the EXO debut concept of every member having his own superpower. Just when they needed successive releases of strong material to counter BTS, EXO went the Super Junior “not taking everything so seriously” road. 

And then, the annual December release. While Universe by the end of the year still

Charted high, it seemed that the public didn’t really see this as a special event, as they have already expected the annual ballad release on December, so there was nothing that exciting about it. On the other hand, BTS capped the year with the bright and overly radio-friendly DNA and an international collaboration with DJ Steve Aoki remixing their song Mic Drop. By this time, it became apparent that EXO was slowly starting to fade away from being SM’s center of attention (To NCT? To Red Velvet? We will never know), as it took almost a whole year for the group to come back with Tempo. We’ll never know why that comeback took so long, but by that time it was obvious that SM already saw EXO as a “legacy” group that can survive with one or two comebacks in a year. And with that, it was also as if the red carpet was laid ahead for BTS. 

And now, many argue that the current domination of another K-pop group starting with the letter B, Blackpink, was also once threatened by another SM group, Red Velvet. But then, others argue that it was more of a BP versus Twice battle if only JYP didn’t cause their group to self-sabotage and give way to ITZY. And then, there are those who speculate that it is actually another SM group that has been slowly but surely threatening Blackpink dominance internationally with successive #1 singles and even having similar activities like endorsements of international high-end fashion brands, performing in Coachella, and having the same number of members. 

So now, the burning question is, are the current queens of K-pop ready to play with fire and take things to the next level? One thing’s for sure: SM never takes things sitting down, so we are definitely on to exciting times ahead in the world of Korean pop music!

Featured image: BIGBANG – 뱅뱅뱅 (BANG BANG BANG) M/V. Source: BIGBANG, YouTube.

I am sure that the ever-faithful ARMY has been counting the days since Permission to Dance and My Universe were released. So while we are patiently waiting for the next group comeback, here’s a look at the individual activities of the six members.

BTS Jin

Let’s start off with the oldest among the seven, the world-renowned “worldwide handsome,” Jin. Known for his falsetto voice nowadays, things didn’t start as rosy as it is with our visual, at least in the vocal department. As the member who would often have the fewest lines in songs recorded by the group, it used to be that Jin was dismissed as the member whose main contribution would only be limited to his looks and not much else in other facets like dance, song production, and vocals. Even his inclusion in the group really started off that way – with so many people having not a lot of confidence with his skills as a singer. After all, as early as his junior high school years, he was already scouted off the street by SM Entertainment, which he declined at that time. Years later, Big Hit Entertainment scouted him again while he was walking down the street, proof that talent scouts really saw star potential in him with just his looks.

However, try to watch even just one video of the group in BTS and you will realize that of all the members, it is Jin who is known for being the most industrious in terms of improving his skills, particularly in singing and dancing. Thus, through the years, you will most likely notice the improvement in his vocal skills. What used to be rather plain and emotionless singing from Jin noticeably became more secure and layered, complete with a wide emotional range you can hear from his performances. Thus, nine years after debuting, while Jin is obviously still primarily known for his undeniable good looks, he has also gotten recognition for his emotional rendition of his portions of BTS songs and even in his solo performances. You know when it’s time for a powerful Jin performance when you see a vein popping on the right side of his neck, which you’re almost 100% will get when he sings his solo track Epiphany from the compilation album Love Yourself: Answer.

Aside from Epiphany, Jin has also released two solo songs in BTS’ albums — Awake in 2016, which was part of their Wings EP, and Moon, which was part of their 2020 EP Map of the Soul: 7. Epiphany is so far his most successful solo song, while Moon is his highest-charting locally. Aside from collaborating with V in It’s definitely You for the Hwarang OST in 2016, Jin has also contributed to the OST of the 2021 drama Jirisan with the single Yours, which topped Billboard’s World Digital Song Charts in late November last year.

Have we mentioned Jin also treated ARMYs with trot song Super Tuna?

BTS Suga aka August D

Now it’s time to talk about the sleepyhead but perhaps the most successful record producer among the seven, Min Yoongi, aka Suga, aka Agust D. The number of his stage names can only be surpassed by the number of roles this multi-hyphenate portrays – rapper, songwriter, record producer, and just overall slayer of life. Just by looking at the seven members, you wouldn’t really point out Suga as the most successful of the bunch, definitely not with his seemingly introverted demeanor and his unexcitable ways. Considering he is a rapper and his fellow rapper in the group are the leader and chatterbox RM and the eternal ray of sunshine Hobi aka J-Hope, the first impression everybody has of Yoongi would be that of a reserved, if not internally intense rapper. But a quick browse through his profile and you’ll know he’s not some shy passive personality who’ll just let his members claim all the fame.

His personality considered, it may be true that Suga will let his members take more of the spotlight, as it’s not really his style to be overly engaging with fans. We can see how benevolent he is in BTS concerts when he lets the entire group perform Daechwita with him instead of keeping it a solo act. However, when Suga (better yet, Agust D) comes out of the shadows of Yoongi, we see a confident performer who spits fire when he raps and owns the stage. When you’re listening to an Agust D track and you’re keeping still without grooving to it, you’re dead inside, I tell you.

As expected of a bonafide artist, Suga writes, composes, arranges, mixes, and masters all of his releases. According to the Korea Music Copyright Association, he has been credited with over 100 registered songs, which most definitely has caused him to be promoted to a full member of the association as early as 2018. He has dropped two mixtapes, Agust D in 2016 and D-2 in 2020, which charter in numerous international charts, including Billboard. He has several songs that have charted both in Gaon and Billboard, with Daechwita peaking at #1 in the Billboard World Digital Songs Chart and Strange (featuring RM) peaking at #2. He scored a number 1 in Gaon’s Digital Chart in 2020 when he was featured in IU’s Eight, a song he also produced. Aside from IU, Suga has also produced songs for D-Town, Suran, Epik High (who also happen to be his idols growing up), Heize, and OMI.

BTS J-Hope

From one rapper to the next, we move from Suga to J-Hope. While Suga is known to be intense and quiet, J-Hope has all the energy and brightness cornered. You simply cannot hold your smiles when you see J-Hope. He’s just a bundle of positive and delightful energy, a source of cheer for both his members and his fans. Of course, J-Hope has his moments of seriousness and formality and his gleeful personality isn’t really on 24/7.

In fact, if you watch interviews of BTS members talking about each other, they are quick to point out that before debuting, Hoseok or Hobi wasn’t particularly overly cheerful and bright as he is now. Members claim that J-Hope used to be clueless as to dealing with stress, as he used to get easily overwhelmed with facing the challenges of his career as an idol trainee. In addition, during the early years of BTS, it seemed like the first ARMY had J-Hope as the weakest of the seven members as he was pretty much a lead and not the “main” in everything – Jimin is the better dancer, Suga is the better rapper, V is the most charismatic, Jin is the most handsome, RM has natural leadership skills, and everybody just loves Jungkook. Good thing, despite his threats of leaving the group as far as their pre-debut days, the rest of the group did not allow him to quit and talked him out of it. RM, knowing his worrier personality that obsesses on things until they become what he wants them to be assigned him the role of being the mood maker of the group. And with that role, it seems that J-Hope has developed a passion for making himself and the people around him always positive, smiling, and looking at the bright side of life.

The upbeat and energetic characteristics he has developed while in the group have bled into his music and style of performing. If you listen closely to his songs in his 2018 mixtape Hope World, you will notice that although his songs may be energetic and upbeat, they also present stories of his challenges as an idol and how he overcomes them. Thus, his music is quite relatable to a lot of people who choose to be positive and optimistic even when faced with difficulties. Talk about artistic genuineness!

His efforts have not gone unnoticed, as Hope World peaked at #1 in the Billboard World Albums Chart in 2018. Daydream, Airplane, and Chicken Noodle Soup have charted in the Billboard World Digital Singles Chart. Chicken Noodle Soup actually got into Billboard’s main Hot 100 Chart, making J-Hope the first and so far only BTS member to have a solo song that charted in the Billboard Hot 100. He has also recorded solo tracks that have been included in BTS EPs and has written a good number of songs for his group and even for 2 AM’s Jo Kwon as early as 2012.

BTS RM

Next to Suga, the next member who can be considered the most successful in their solo careers in music is RM. The group’s leader isn’t just a highly skilled rapper, but just like his two co-rappers, is also a prolific writer and music producer not just for himself and the group, but even for other artists. But then, who can question RM’s skills? Even as a tween, he already posted poems online and was interested in pursuing a career in literature which he decided not to pursue.

Fans would also know that RM is intellectually gifted and didn’t have difficulties getting high scores in the national university entrance exams, so he could have chosen any career path. His parents were even opposed to his choice of pursuing his interest in music, but he prevailed in the end and got his career started by becoming active in the Korean underground hip-hop scene and later auditioning for Big Hit Entertainment.

As the leader of BTS and with his handy proficiency in the English language, RM has taken the role of being the group’s spokesperson. It goes without saying that his intelligence and way with words have an impact on the songs he has written and produced for himself and his group. A certified bookworm, you would know which pieces of literature have had a tremendous impact on RM. A good number of songs that he has written for his group heavily reference books and literary characters.

As part of 2015’s The Most Beautiful Moment in Life, Pt. 2 EP, the song Butterfly alludes to Kafka on the Shore by Haruki Murakami, which is about a teenager who runs away from home and experiences various situations where he asks himself if what’s happening to him is true or just figments of his imagination. Another example is 2016’s Blood, Sweat & Tears from the album Wings, which has a ton of symbolism from Hermann Hesse’s Demian, which narrates the struggles of a man on whether to side with the good and the evil.

A year later, from the You’ll Never Walk Alone comes the title track Spring Day, which from the Omelas signage shown on the music video is an obvious reference to Ursula K. Le Guin’s story The Ones Who Walk Away From Omelas, which is about this magical place that has to sacrifice an individual to keep its blissful state. And that’s just three of more than 170 songs the Korean Music Copyright Association has attributed to him. If those literary references don’t convince you of RM’s excellence in writing, then nothing will!

https://youtu.be/e0PCwdF7USI

Armed with skills and a brilliant head above his shoulders, it comes as no surprise that RM would succeed in his career as a member of BTS and a solo artist. He has produced two mixtapes for himself, RM in 2015 (which was a critical success but went unnoticed commercially as understandably, BTS was still a bit obscure that time) and Mono in 2018, which was both a critical and commercial success. Aside from being a top contributor in BTS’ releases as a songwriter and producer, he has also collaborated with other artists like Steve Aoki and labelmates TXT to produce songs for them. Not bad at all for an intellectually-gifted student who ditched his academic career for a shot at being a hip-hop artist.

BTS Jimin

Jimin is one of those people who you would think of as an idol with even just one glance. He just looks the part – he has a unique face, the way he moves confirm an affinity to dance, and his overall aura just reflects the charisma of someone who’s part of the entertainment industry. Alas, his life before BTS reflects this, as even before he became a trainee, Jimin was already studying different dance genres in dance academies in his native Busan. When he passed his auditions in Big Hit Entertainment in 2012, he transferred to Seoul and as they say, the rest is history.

Though Jimin is primarily considered as BTS’ main dancer, which is testament to how his skills in dance are more highly regarding than his skills as a vocalist, this hasn’t stopped Jimin from releasing solo singles every now and then. In 2016, he released Lie as part of the group’s studio album, Wings. This dark and dramatic song was praised for being in line with the album’s overall moody concept. The next year, his solo track Serendipity, which was included on the Love Yourself: Her EP of 2017 was described by Korean music critics as “unraveling the joy, conviction, and curiosity of love.” It took three years before Jimin contributed a new solo track to BTS’ discography with Filter, which was included in the group’s 2020 studio album, Map of the Soul: 7. People described his latest solo song as radio-friendly with a noticeable Latin pop influence. All three songs charted at the top 20 of Gaon’s Digital Charts and reached the top 3 in the Billboard US World Digital Songs Chart.

In 2018, both Serendipity and Lie have surpassed fifty million streams on Spotify. A year later, Serendipity’s full-length version from BTS’ Love Yourself: Answer (2018) compilation album also achieved the same feat. With this, Jimin joined a rather exclusive set of Korean artists — that so far only has Psy to have three solo songs with more than 50 million streams each. Both Serendipity and Lie have also been the only solos by a BTS member to be included in the Official Chart Company’s list of the top 20 most streamed BTS songs in the UK.

Jimin’s winning streak continued in 2019 as he became the first BTS member to have a solo music video achieve 100 million views on YouTube with the MV for Serendipity. He was also the only BTS member with multiple solo songs in the January 2020 update of the Official Chart’s top 40 list. Filter continued its predecessor’s record-breaking tradition as it set a record for the biggest streaming debut among all Korean songs on Spotify with over 2.2 million streams in its first 24 hours of release. It eventually went on to become the fastest Korean solo in the platform’s history to surpass 20–60 million streams. It is also the first and so far only solo BTS b-side track to receive a Song of The Year nomination at the Gaon Chart Music Awards.

Jimin has also released a solo song that hasn’t been included in a BTS release with Promise, which was made available for free on BTS’ SoundCloud page in 2019. SoundCloud then announced the song had surpassed the record set by Drake’s Duppy Freestyle for the biggest 24-hour debut in history. Aside from his solo tracks, Jimin has also co-written some songs for his group, including Christmas Day in 2014, which he performed with Jungkook, Friends in 2020 that was included in the Map of the Soul: 7 album, and Dis-ease, which was a track in the group’s Be album. Considering that it is accepted that he is the group’s most popular member (ranking 1st as the most popular idol in an annual survey conducted by Gallup Korea in 2018 and 2019), we expect nothing less from Jiminie.

BTS V

Arguably the most popular member of BTS (pending the objection of Jimin-stans, of course), V also happens to have the most diverse career trajectory in the group. He is the first BTS member to have appeared in a television drama via a supporting role in 2016’s Hwarang: the Poet Warrior Youth, a feat that up to now still hasn’t been replicated by other members and even by himself, as he hasn’t acted after Hwarang. V’s versatility (for all we know, his stage name also stands for versatile aside from the commonly accepted ‘victory’) has been noted from the start, even before his debut with BTS. After acing his audition, BigHit Entertainment named… or rather hid V’s identity, announcing him as a member of the company’s soon-to-debut group without revealing his identity. People did wonder why V’s identity wasn’t revealed until it was time for BTS to debut.

Since BigHit did not offer any explanation up to now as to why they made V a hidden member prior to the groups’ debut, people eventually presented their own theories. Perhaps the most popular conspiracy theory on this issue was that at that time, the company wanted to avoid bigger companies from pirating V from them after his successful audition. As V was (and still is) an all-around ace with a unique husky voice, passable dancing skills, and arresting good looks, BigHit didn’t want to alarm the bigger companies and give them the opportunity to strategize and lure this diamond in the rough. Thus, the company made an effort to hide their gem until it was time for BTS to actually debut. Smart, eh?

Since his debut, V has figured in a good number of solo projects. His first solo track Stigma, which was included in the group’s 2016 album Wings, went on to top the Billboard World Digital Songs Sales Chart. Two of his solo songs appeared in 2018 and 2020 in the group’s next two full-length albums, Love Yourself: Tear and Map of the Soul: 7, respectively. Singularity and Inner Child also topped the Billboard World Digital Songs Sales Chart during their release.

In 2019, V released Winter Bear—an MV he also directed and starred in.

Aside from his solo tracks, V has also contributed to a number of OSTs, his first being It’s Definitely You with Jin, included on the Hwarang OST, a show which he was also part of. He also recorded Sweet Night, which was part of the Itaewon Class OST in 2020, and Christmas Tree, which was part of the Our Beloved Summer OST months ago.

V has also flexed his songwriting muscle several times, contributing to the group’s catalog su0ch as Hold Me Tight in The Most Beautiful Moment in Life, Part 1 EP, the group’s breakout hit Run, which was part of the EP The Most Beautiful Moment in Life, Part 2, and Blue & Grey from the group’s Be album, to name a few.

As of the moment, V’s Christmas Tree has posted another record for landing at No. 1 on iTunes in over 80 countries including the eight largest music markets in the world: the United States, Japan, Germany, United Kingdom, France, Canada, Australia, and the Netherlands. His OST for the K-drama Our Beloved Summer is his second song to claim the top spot in those countries following his Itaewon Class contribution Sweet Night.

So, what does the future hold for BTS’ resident Good Boy? Only time can tell, but ARMY is assured that only good things are in store for V, with his boundless charms and talent.

BTS Jungkook

Last but not the least, it’s time to talk about the Golden Maknae, Jungkook! We know that all members of BTS are all-rounders, being skilled in singing, rapping, and dancing, but everybody would agree that Jungkook just takes everything to the next level as even those who don’t have him as their bias would have him as a bias wrecker. That’s because he’s just so good in all facets of being an idol.

He is the main vocalist of the group, with his voice fitting each BTS song to a tee and remaining stable even with the most intense choreographies, and we know BTS has a lot of that. He has also rapped on various occasions and his skills are commendable as well, especially for someone who has already established a reputation in the vocal department. His dancing skills, although not as flashy as Jimin’s, are more precise and very controlled, which makes him a perfect sight at the center. Finally, there’s his magnetic stage presence which for some reason compels everyone to look at his direction despite being on stage with six other people who, depending on who you’re asking, can perform better than him.

In terms of likeability and being the total package, Jungkook is among the top idols in the industry, which makes him a popular pick to be a guest in TV shows. With his music career, he has released three solo tracks in BTS releases — Begin in 2016’s Wings, Euphoria in 2018’s Love Yourself_ Answer, and My Time in 2020’s Map of the Soul: 7. All three songs have topped the Billboard World Digital Sales Charts upon their release and charted in Korea’s Gaon Singles Chart as well.

His latest solo effort is an OST for the group’s webtoon 7FATES: CHAKHO entitled Stay Alive, which, as expected, has been breaking music chart records left and right. It has been reported that the song has hit No. 1 on iTunes in 105 territories.

This track, produced by Suga, achieved that feat in only ten days. Obviously, it is expected to make a killing on the World Digital Song Sales Chart.

Kookie is also a skilled songwriter, having been credited with the writing of several songs in the group’s discography, including familiar hits such as No More Dream, Run, Your Eyes Tell, and Stay, among others.

With the sheer volume of solo activities the hardworking BTS members have, fans are assured of so much music to last them until the next group comeback, which hopefully will be really soon!

Featured image: 7FATES: CHAKHO with BTS (방탄소년단) | Official Story Film (Full ver.). Photo: 7FATES: CHAKHO by HYBE 7FATES: CHAKHO by HYBE/YouTube