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Whether he is your bias or not, it cannot be denied that Seventeen’s Seungkwan is hard to ignore. And if you are a Mr. Boo stan, here’s something to tickle your fancy and remind you, yet again, of some of our UB’s most iconic, meme-able, and adorable moments:

The Seungkwan alarm

On the very first episode of SEVENTEEN PROJECT in 2015, the members were shown waking up and starting their day. Seungkwan looked like he had a headstart and started waking up his members who were still hitting the snooze button. One of those members is vocal team leader Woozi, who fell victim to one of Seungkwan’s more clever ways of waking them up. Instead of sounding off the usual alarm sounds, Seungkwan attacked Woozi who was still lying in bed, with Dam Bi‘s Queen, which he sang along with an audio file:  “AYO LADIESS!!! THIS IS YOUR STORY!!! Ije wake up, wake up, wake up wa-wake up…”

It was not clear if Woozi did get out of bed, as Seungkwan transferred his energies into waking S.Coups. The leader had him in a headlock though, so it seemed he didn’t have time to sing his alarm song. 

When SVT Main vocal meets Apink main vocal…

We all know that even among Seventeen vocal team, the members who are considered the main vocalist of the group are down to two: Dokyeom and Seungkwan. With the master producing skills of Woozi, the sensitive vocals + English skills of Joshua, and the confusing concepts of Jeonghan (Is he an angel? Is he the devil’s incarnate?), the heavy vocal lifting, including the adlibs and vocal runs, are usually left with DK and our Boo. So, when S.Coups, DK, and Seungkwan, who were promoting their Pretty U comeback and Apink main vocal Eunji, who was promoting her debut solo single Hopefully Sky, met in Mnet’s karaoke room for the music channel’s Karaoke on Fire content, it was but natural for Mr. Boo to stage a duet with the Mr. Chu vocalist. 

At first skeptical of his abilities when they chose to sing 4men’s Live in the Memories, Eunji puts him at ease by complimenting SEVENTEEN’s popularity and inviting the two other members into the karaoke booth to cheer them on.

Seungkwan and Eunji traded off parts and harmonized towards the end of the song. The performance was so good that one would think that the impromptu performance was staged or rehearsed. But then again, it was a chance encounter that would leave anyone in awe of Seungkwan’s high notes, stable vocals, and ability to sing on the spot with the industry’s best. 

The tsunami in three acts

It is also a well-accepted fact that aside from being one of the main vocalists of Seventeen, Seungkwan is also known as a variety ace, which means he has the personality (read: the gift of gab) that makes him the perfect guest in variety and talk shows.  Whether it’s his non-stop talking skills, his natural banter with the hosts, or his bottomless reservoir of hidden skills and talents, trust Seungkwan to always make a guest appearance super memorable. 

Such was the case when in 2016, Seventeen were guests on the variety show Star Show 360 with hosts Super Junior’s Leeteuk and Tak Jaehoon. As his talent, he showed a parody of three reactions to an approaching tsunami. For the first scenario, he copies a male lead star upon seeing an approaching tsunami, screaming, “Oh my God, you’re so danger, you’re so danger. (sic)!” In the second scenario, he played a mom picking up her kid from nursery school when she sees a tsunami approaching. Mom Boo suddenly screams “Oh my God oh my god you’re so danger you’re so danger” in a panic while frantically picking up her daughter Jasmin, played by Jeonghan. Finally, in the third scenario, Boo plays a grandpa who has already lived a full and complete life, so he just accepts his fate when he sees a potentially lethal tsunami. 

This skit is so legendary that Seungkwan did it a couple of more times, once on Weekly Idol and another time on Amazing Saturday. And it just never gets old. 

Seungkwan loves his mom.

If there are two things Seungkwan is known to love so much, that would be his hometown of Jeju and his mom. In their debut concert when the group was introduced, Seungkwan practically cried a river when he saw that it was his mom who went up on stage to surprise him as all members had a family to cheer them on. In a show for Dino which featured him going home to Jeju, he discussed his trainee life and how he only had 4 days in his entire training period to see his mom. And, he had spent all of those days crying and hugging his mom because he missed her so much. 

In most variety shows, most members often joke about Seungkwan being a crybaby during award acceptance speeches and when he gets to meet his mom in events, but Carats will always understand and will always have a soft spot in their hearts for a momma’s boy.

Imitating Seungkwan will get you a high kick.

As mentioned earlier, Seungkwan is quite a master when imitating famous people. As part of his skills as a variety ace / master, from Yoo Ahin to Kim Hyuncheol, not a lot of celebrities have escaped Boo’s mastery of imitation. But when it comes to members imitating him, Seungkwan somehow refuses to be a sport about it. Most of the time, he’s a bit sensitive about it, almost always reacting in a (jokingly) negative way.

Seungkwan’s defensive reactions most usually get triggered when it is his Bookseoksoon unit co-member Hoshi who does the imitation. Hoshi is clone-level perfect when imitating Seungkwan’s shaky walk and bent wrists when pointing at something, while his right hand is busy holding a large glass of his favorite drink, an iced americano. Hoshi is also a master when copying Seungkwan’s emotional outbursts when he cries during awards acceptance speeches or when he recounts his difficult days as a trainee when he would miss his family, particularly his mom.  

And those imitations would usually merit Seungkwan strangling him or jumping to execute martial arts movie-style high kicks. Of course, we know that those reactions from Seungkwan are mostly in jest, but it is fun to see Boo acting sensitive when Hoshi imitates him to perfection. 

How Seungkwan always loses every single mafia game.

In all the years that Seventeen has released Going Seventeen, the group has somehow taken the mafia game to a whole new level. And on every staging of the mafia game, which for the purposes of GoSe, they have renamed to Don’t Lie, whether it’s the hidden treasure in the police station or the hotel or the house, Seungkwan always gets killed. Whether by the mafia who have realized that he’s on to something when it comes to his suspicions or because the ordinary citizens get suspicious of his usually defensive pleas, he always somehow gets cut. The worse part of it is, that he is almost always not a mafia member, so eliminating him usually means a step closer for the mafia to winning. 

But because Seungkwan is usually emotional and defensive when it comes to persuading his group members that he is not a mafia, then the mafia members usually take this as an opportunity to make him a suspicious character. For most of the episodes, it has been agreed by the members that the emotional players will usually lose the game since they act excessively defensive and thus, become suspicious. And because our Seungkwan fits the bill, it is usually a foregone conclusion that in Don’t Lie episodes, Seungkwan almost always gets eliminated.  

Alas, Seungkwan is also one of the most expressive members of the group. He freely speaks his mind, which is obviously a threat to the mafia members who don’t want to keep on ruffling feathers. Because he is always forthcoming with his observations, he always needs to be silenced. 

Seungkwan can be clumsy, too. 

It is known to all Carats that when it comes to clumsiness, it is Mingyu who takes the top position. It can be funny to think that someone as handsome as Mingyu can make things break or cause accidents even when he’s not moving a lot, or sometimes even when he is doing nothing at all.  But all SVT members are never spared of their butterfinger moments, not even sassy Mr. Boo. 

In a concert, there was a segment where The8 showed the audience his skills in nunchucks, being the amazing Chinese martial artists that he is. After displaying his skills, the two emcees, Seungkwan and Hoshi, interviewed him about his weapon, and for some reason, the nunchucks ended up in Seungkwan’s hands (a really scary event, if you ask me). Of course, our main vocal could not pass up the chance of looking cool with the implement he was holding, so he also did a couple of moves. He continued to play with the nunchucks until alas, the inevitable happened: One of the nunchuck’s  hit the back of his head. Good thing, it didn’t hit him hard, or his attempt at looking cool could have ended up in a bloody affair, with him being rushed to the hospital.

So, there you have it, folks, just seven of countless meme-worthy moments only coming from our eternally-sassy ray of sunshine, Boo Seungkwan. If you’re feeling down and you need some sassy Boo to pep you up, here’s another article on one of Boo Seungkwan’s struggles in life: the English language.

Featured Image credit: Official Seventeen Twitter

While maknaes are known to be doted on by group members, there are also instances when they are regarded as very dispensable members who can just leave and not really make a difference. Here are three different cases of maknaes who have somehow struggled throughout their idol careers. 

INFINITE’s Maknae: Sungjong 

This one is not really serious at all. On the contrary, all Infinite members love their maknae Sunjong. For his part, Sunjong is every bit the maknae everyone expects him to be. He is super adorable, blessed with both a face and demeanor that doesn’t seem to age, and he is always there for his hyungs. Thus, it is no wonder Sunjong is the subject of intense doting from all the members. But as Infinite is one of those groups that couldn’t help but be very casual with each other, they always give each other the harshest treatment, one would think that they’re enemies if you don’t really know them any better. They love giving each other cutting comments (in jest, of course) and subject each other to very realistic and scary pranks. And in the case of the maknae, he gets ten times the smothering attention, ten times the pranks, and ten times the cutting comments. 

Since the start of each Infinite member’s social media account, all six members (including Hoya who was his roommate before the latter left the group) seemed to have understood SNS as the ultimate platform to make fun of their maknae. Each time Sunjong posts a picture which he claims in the caption showed his best angles and had great lighting, his hyungs would comment that it looks bloated or ask him what happened to his chin. In a number of instances, the members have taken it a step further by actually posting similar pictures of themselves imitating Sunjong’s posts, and parodying the maknae’s captions. There have also been a number of instances when the members would comment on their maknae’s fashions, usually comparing his clothes to food, like this incident when they compared Sunjong’s trenchcoat to an orange. 

Alas, who can forget the numerous instances when Sunjong was subject to intense ribbing in variety shows with his acting debut in Tonniverse where he said his iconic line, “When you have a lot of thoughts, [the solution] is lemon candy.” Even though he had other acting gigs after this, he will never bury the slight embarrassment from this career-defining moment, thanks in part to his members who somehow always make it a point to bring it up at every opportunity. 

But take note that Sungjong doesn’t take all this “attention” just sitting down. As much as he gets all this “bullying”, he also makes it a point to fight back and pull off antics with each of his hyungs. There was this one time that he kept on asking Sungyeol for favors like coming with him to events but often ends up accompanying his other hyung. Alas, when Sungyeol “exposes” the maknae’s mistakes on SNS, Sunjong retorts by saying he will never get tired of making Sungyeol mad. 

iKON’s Maknae: Chanwoo

The idol career of iKon’s Chanwoo has never been easy from the start. Most known as a child actor who appeared in K-dramas in the 2000s, everybody was a bit surprised when he suddenly appeared as an idol hopeful who joined Mix & Match, a reality competition that aimed to complete the line-up for iKON with new contestants plus a member of Team B, the group that only recently lost to Team A, which eventually debuted as WINNER in the program WIN: Who is Next. The entire TV audience saw with their own eyes how Team B’s leader, BI’s, expression dramatically changed from a smile to a scowl upon seeing Chanwoo enter the competition. In one of the show’s interviews, BI was quick to deny that he was not pleased particularly with Chanwoo and defended himself by saying he didn’t really dislike Chanwoo particularly. He said he was just not good with the idea that there would be more contestants that would compose iKON, as he was already very comfortable with his Team B members. Well, we saw what we saw. 

Anyway, Chanwoo was eventually selected as the final member of iKON at the expense of the other two contestant trainees, Jung Jinhyeong (who eventually debuted as solo rapper Jey) and Yang Hongseok (who went on to join CUBE and debut with PENTAGON). People who watched the show did remark that despite the two being more talented and outgoing than Chanwoo who was more awkward, it seemed that YG and the show’s producers have angled the show in his favor. Thus, with only his looks to contribute as he doesn’t have a lot going in terms of singing, dancing, and rap skills, his stable of haters was established. iKON debuted with relative success, but public sentiment towards Chanwoo remained lukewarm – he is a good-looking and sweet boy but doesn’t really contribute much to the dynamic of the group. 

Enter the “bullying” event of 2015, which resurfaced quickly after BI’s marijuana incident which caused him to leave the group. A live broadcast from 2015 has B.I allegedly “bullying” Chanwoo. In this broadcast, B.I was shown punching Chanwoo and snapping Chanwoo’s baseball hat off his head rather aggressively. The other members caught on camera seem uncomfortable with what was happening. Koreans pointed out that they almost look used to the situation and predicted there might have been a frequent bullying habit from B.I to Chanwoo.

There were parts of the broadcast that captured raw reactions from Chanwoo that showed him to seem actually hurt and offended by B.I’s actions. While at the time the video first became controversial, iKON clarified that such aggression is only a sign of affection and that the members are extremely close with each other, some Korean netizens didn’t buy it then and are not buying it now.

While Chanwoo has also been seen being the “evil” maknae through the years by fighting back and being mischievous towards his hyungs, it cannot be denied that he has been getting the shortest end of the stick when it comes to his career in iKON. He has never been highlighted, has never received the most lines in any song, and just usually comes off as a regular member who doesn’t give off unique charms. A lot of anti-fans have gone on to say that unlike BI’s departure from the group, there wouldn’t be much of a difference should Chanwoo be the one to leave the group as he doesn’t really contribute much. 

It seems that even after seven years, Chanwoo hasn’t really gotten himself a break and is still pretty much considered a filler rather than a major player in iKON. But then, with Chan reviving his acting career through the movie My Chilling Roommate, maybe we can finally witness the true blossoming of our maknae’s popularity. 

EXO’s Maknae: Sehun

Now, here’s a story of a maknae defying initial perceptions and making an actual mark not just in his group but in the K-pop landscape. When EXO debuted and when the group finally broke through popularity-wise via Wolf and Growl, let’s just say that like most maknaes, Sehun was not someone who had the attention of K-pop fans. Armed with killer looks and height, people were quick to dismiss EXO’s maknae as just another pretty face who didn’t really offer a lot when it comes to talent and overall charisma. Kai has dancing covered, the vocal line of Chen, Baekyun, and D.O is remarkable, and the Chinese members just ooze with charisma, leaving Sehun in the shadow of Chaneyol. See, Chanyeol is pretty much what Sehun is, and arguably more. Sehun is a rapper, and Chanyeol is as well, and arguably the better one at that. Sehun is tall, but Chanyeol is taller by two centimeters. Sehun is charismatic, but so is Chanyeol.  While it can be argued that Sehun’s dance skills are better than Chanyeol’s, Kai still reigns supreme in the department. 

It also doesn’t help that at the start, Sehun didn’t get that much exposure in EXO songs. Initially, it was reported that SM wasn’t particularly fond of Sehun’s speech patterns, as people noted he had a lisp. Later on, it was noted that he doesn’t have a permanent condition but rather only has a funny sound in his voice because he used to wear a lingual crib, which is a wire orthodontic device that’s supposed to help a person overcome the habits of thumb sucking and tongue thrusting. For us commoners, it’s pretty much like wearing braces. Apparently, our maknae has stopped wearing it and has since then improved on her diction and pronunciation. 

But then, a couple of incidents have involved Sehun in his career, including SM still giving him very little exposure in EXO songs and giving him rather silly parts like the iconically cringe-inducing) “Shawty, I’ma party till the sun down”. Is Sehun telling us he only parties until around 5:30 to 6 in the evening? How does that make sense? Does Sehun have buffet lunch parties for him to end his parties at sunset? 

And then, there’s that one issue handsome idols get plagued with: the gay “scandal”. From the start of his career, the issue Sehun’s sexual preferences have been the subject of much speculation. The wildest yet most popular of all these Sehun gay rumors went viral around 2017, with people pointing to him allegedly dating Chef Suke (Shawn E. Choi). The chef and restauranteur actually were initially known as a friend to both Sehun and Chanyeol, but for some reason, a lot of events around that time and IG posts of the chef only have Sehun, from him attending an EXO concert with a report of only the maknae leaving with him, Sehun’s birthday where the chef only posted a picture of the both of them without the other guests, a trip among “friends” to the Philippines that ended up with only the two of them, a number of EXO members attending the premiere of D.O’s movie, but Sehun sitting separately with the chef, among so many other incidences. Fans countered these rumors by claiming that Chef Sukle actually is married and has a family of his own. 

Sehun had to deal with these speculations again in February 2021, when someone on his Instagram Live asked out of the blue if he was gay. After reading the question, Sehun reacted by giggling and moving on to read the other questions. 

It seems that through the years, Sehun has learned to take all of the challenges in his career in stride.  Despite the rumors, it seems that his career not just as an idol, but as an entertainment industry personality has continually progressed. In EXO, he and Chanyeol have debuted the group’s second sub-unit, EXO-SC. On television, he has appeared in variety shows and has even acted alongside industry A-listers like Song Hyekyo and Jang Kiyong as well as in variety shows like Busted! and On Rent. He has even debuted on film via the Chinese release Catman in 2021. He had his first starring role in a Korean movie in The Pirates: The Last Royal Treasure with Kang Haneul and is set to appear in his first TV drama lead role in Everything That We Loved. 

While these three cannot be easily qualified as maknaes on top, their growth and popularity cannot be denied. Here’s to more activities and work for our three maknaes who couldn’t seem to catch a break. 

Featured Image: A picture of Sehun from EXO Official Twitter page

When an idol leaves his or her group, it is said that there are three sides to the story: the company’s official announcement, the idol member’s story, and the rumors and speculations brought to everyone by fans, anti-fans, and armchair analysts. The truth is somewhere in the middle, so in the meantime, let’s take a look back at four idols leaving their groups and what happened after.  

HyunA Leaving Wonder Girls

The “heard it through the grapevine” reason: Allegedly, Hyuna was having an affair with a male JYP artist who hadn’t debuted yet. The JYP (as in the guy who whispers his name at the start of every song he produces) found out about it and wouldn’t keep her in Wonder Girls. There were rumors that she became pregnant and had the pregnancy terminated which would have been something that JYP wouldn’t condone. The Hyuna incident was also the main reason why JYP dating rules are iron clad and has been strictly implemented on its idols from 2PM down to NMIXX and have never been relaxed, ever. 

The official reason: Since Hyuna was still a minor when she was a member of WG, her parents were the ones who requested for her contract to be terminated because of her health issues. Hyuna allegedly suffered from digestive tract problems, particularly gastroenteritis. 

The aftermath: Hyuna left JYP Entertainment only to resurface in Cube Entertainment a year (some argue it only took months) later to debut in 4Minute. Meanwhile, WG had a new rapper in Yubin who was sent from Good Entertainment.  

Sunmi Leaving Wonder Girls

The “heard it through the grapevine” reason: Sunmi bid farewell to her five members in February 2010 as soon as they returned to Korea after the Wonder Girls finished touring 50 cities in the US to promote their music. She said the busy schedule and losing appreciation for life were the reasons she decided to take a break from her career. People were quick to point out though that the attempt at having a breakthrough in the US didn’t really produce the desired results, which dealt a big blow to Sunmi’s pride. In other words, the group flopped in the US and Sunmi didn’t take the failure well.  

The official reason: JYP released a statement saying Sunmi needed to take time off from the group to fulfill her academic ambitions. 

The aftermath: We’ll never really know. But in an episode of Knowing Bros in 2017, Sunmi said, “If I was feeling that at a young age, I had a hunch that my career wouldn’t go very far in the long run. That’s why I needed time alone to reflect and think about what I really wanted to do. After leaving, I realized how happy I could be but also at the same time, envied the other members of Wonder Girls as they continued to perform and be active in the K-Pop scene.” 

Anyway, all’s well that ends well as Sunmi did re-join the group five years after withdrawing in 2010. Rather than a dance group, the Wonder Girls returned as a four-member band with each member playing an instrument, with Sunmi playing the bass. 

Yookyung Leaving Apink

The official reason: Representatives from A Cube (which later became Plan A, then Play M, before finally settling on IST, but who knows, we may have another name change later) said that Yookyung wanted to focus on her studies and getting a degree. But then, Naeun, Namjoo, and Hayoung were also still studying at that time, so…  

The “heard it through the grapevine” reason: The company that has changed names many times practically dodged a bullet on that one since Apink at the time of Yookyung’s departure wasn’t as big as they have become today, so not a lot of people were that invested in the group just yet. But then, when the group finally had their breakthrough from the No, No, No to Mr. Chu era, the topic of  Yookyung’s departure was revisited and everyone was blamed, from the girls allegedly bullying Yookyung to Cube allegedly kicking her out. Yookyung’s dad got involved in the matter in 2015, clearing the air, the girls, and Cube Entertainment. He said (rather, tweeted) that the girls were at the mercy of A Cube and would not have dared to misbehave. He also said that Cube Entertainment didn’t have anything to do with his daughter’s departure since A Cube was independent of Cube at that time. 

Which leaves A Cube/the company that has changed names many times as the remaining culprit of the incident. Understandably, Yookyung was the least popular member of the group and her dad was a very successful businessman, so reading between the lines of his tweets, the company might have asked him for “donations” should he wanted his daughter to remain in the group and failure to give financial assistance to the company would result in his daughter’s “dismissal”. Yookyung “left” the group, so we can safely conclude what happened there. 

The aftermath: Years later, on a Youtube channel that interviews people who had brushes with fame, Yookyung did clear up speculations of her departure from the group. She continues to be friends with the members (and ex-members, considering that Naeun has also left Apink this year) of the group, so any allegations of bullying should have already been discounted. Also, she said that she never wanted to leave, seeing as she was the member who had the longest training period before getting into the group and she thoroughly loved performing and music up to now. She also said that after her departure from Apink, she got offers to join other girl groups, but since she doesn’t want Apink‘s reputation to be besmirched, she opted to turn down those offers in the hopes of joining Apink in the future.  

So, yes, that practically leaves the “Mr. Hong versus the company that has changed names many times extortion theory” the only viable option. 

JinE Leaving Oh My Girl

The official reason: Shin Yejin, professionally known as JinE, had the longest training period among Oh My Girl members before their official debut in April 2015. She trained for four years starting April 2011. Since debuting, Oh My Girl JinE has been known for her short height and beautiful face. This is characterized by side-swept bangs. She is even compared to actress Han Jimin as many people say they look alike.

However, whenever JinE would present a healthier look during their comebacks, there would be fans who will point out that she had packed on pounds and looked unattractive. Meanwhile, there are also those who keep on pointing out to Jin-E that she is so thin to the point that it doesn’t look okay and it sets an unrealistic picture to young girls that they have to be that thin to be recognized. Poor girl was so confused that ultimately, she developed eating disorders. 

In 2016, WM Entertainment announced her hiatus from activities to focus on receiving treatment for anorexia nervosa. Due to her health issues, she did not participate in Oh My Girl‘s fourth EP Coloring Book. At the time the company announced her departure in 2017, Jin-E not only had physical concerns but also realized that the idol life may not be for her. 

The “heard it through the grapevine” reason: None, because in November 2017, Jin-E herself wrote a letter to her fans explaining her situation. She also wrote in her letter that she dreamt of becoming a singer for a long time. However, she had physical and psychological difficulties. She then said that she will return to her ordinary life as Shin Hyejin and try different things because she had realized that even though she loved singing and performing, the pressures of maintaining a physical appearance for the public was not something she could handle. 

The aftermath: Oh My Girl went on to succeed as a 6-member group, while Jin-E has returned to social media as a “regular citizen” and now appears to be healthy and happy, without the pressures of looking perfect. She is now a social media influencer who has been endorsing cosmetic brands on her Instagram page. 

Hoya Leaving INFINITE

The “heard it through the grapevine” reason, part 1: Here is one tale of an idol leaving his group that nobody really saw coming. In 2017, when it was time for the boys of Infinite to renew their contracts with Woolim Entertainment, speculations were rife that a certain member would not renew his contract and leave the agency, BUT would not leave the group. Because during that time, L aka Myungsoo was having so many acting projects, it was speculated that L will be looking for another agency that would promote the development of his acting career. Thus, the rumors that he may look for a separate acting agency while still continue promoting with Infinite as a member of the group.  

Alas, a bombshell was dropped among Inspirits when it was announced that Hoya will be leaving not just Woolim Entertainment but also Infinite. 

The official reason: Woollim’s official statement read, “With the exception of Hoya, INFINITE members Kim Sunggyu, Jang Dongwoo, Nam Woohyun, Lee Sungyeol, L, and Lee Sungjong have completed contract renewals. The agency is working on reorganizing as a six-member group, and we plan on actively supporting their group and individual activities as we are now. Lastly, we ask for your unchanging support for the futures of the six members of INFINITE and Hoya.”

The “heard it through the grapevine” reason, part 2: So, why did Hoya leave Infinite? Apologists initially speculated that the group’s main dancer never healed from his injuries and heart condition and that he didn’t want to burden the group with his personal situation, making him decide in the end that it would be better to leave the group.  But then, months later, Hoya would resurface in the music scene as a solo artist under Glorious Entertainment with the EP Shower and the single Angel. And he was still busting ’em main dancer moves, all right. 

Hoya himself admitted that it was more differences between him and Woolim Entertainment that caused his decision to leave the group. In an interview with Radio Star, he said, “The things that I wanted to do and what the company wanted to do were different, and the contract expiring happened to be around the same time, so I left.” 

He also claimed that his members already knew of his decision months before contract renewal season came. 

The aftermath: Hoya is still dancing and singing and has recently joined the popular “reality dance” competition Street Man Fighter. As of the moment, everyone except Woohyun has left Woolim, although all six still claim to be members of Infinite. 

Looking back, we have had so many idols quitting on their groups and so many stories behind these events versus what really happened, so stay tuned for more of these flashback stories soon!

Featured Image: Youtube Screengrab from Hoya’s single “Stay with me”

Today we shine the spotlight on the youngest members of some boy groups. While the common perception of maknaes is that they are quite disposable and not really that great in anything except dispensing a lot of aegyo, these maknaes prove everyone wrong. Excited to know who they are? 

BTS’ Jungkook

Well, fine, because there’s no better way to start a list of maknaes on top without naming the youngest member of the most popular Korean musical act these days. And Jungkook rightfully deserves the reputation of being the Golden Maknae. After all, he is arguably the most talented vocalist in BTS. 

Scrap that.

He is actually the most talented vocalist in BTS. When it comes to writing and producing, RM and Suga definitely take the cake, but JK is no slouch, having written and produced some songs that he recorded himself. When it comes to dancing, J-Hope and Jimin take the lead, but Jungkook isn’t far behind either. And he does have some rap skills, especially when the entire group has to perform J-Hope or Suga songs in their concerts. Yep, you’ll be amazed at how Jungkook can spew those rhymes with the best of them. Finally, when it comes to visuals, he is definitely one of the members who can stand toe-to-toe with Mr. Worldwide Handsome Jin. Besides, he’s above the group’s oldest member when it comes to athletic ability, as he has displayed quite the talent in running and archery in numerous ISACs. And do we really need to mention those flashes of toned abs we get blessed with during BTS concerts? 

Especially during the start of their careers, when BTS was still wading in nugu territory, it cannot be helped that the group’s maknae was subject to some microaggressions and awkward treatment by some entertainment industry veterans when he and some of the members guested in a number of variety shows. But Jungkook never figured in controversies involving disrespecting seniors in the industry and just continued to be the well-mannered, uber-talented idol that he was.

With the group’s announcement that they will be focusing on solo activities, it is speculated that Jungkook will be releasing more solo material in the coming years.

Shinee’s Taemin

Before Jungkook (and arguably, even with Jungkook around), nobody, and I mean nobody fits the bill of being called the “Golden Maknae” better than Shinee’s multi-hyphenate member. Taemin can practically do it all – sing with the best of them (and with Jonghyun (RIP), Onew, and Key in the same group, he sure had to prove his singing mettle), exude charisma as expected of any artist from SM Entertainment, and above all, maintain his position as the ultimate dancing idol. I mean, seriously, who can even pull off unimaginable concepts such as androgyny like Taemin and still attract fans of all sorts from different generations and even sexual preferences?  His solo releases and accompanying music videos have been highly lauded and considered performance art. Seriously, you cannot watch a Taemin music video or performance video without holding your breath at the sheer beauty of the choreography and his masterful execution. He always knows how to combine the right amounts of power and gracefulness in his moves. 

Witness for yourself the brilliance of the second gen’s Golden Maknae in gems such as his first and only performance in the dance variety competition Hit the Stage, where he ranked first for his and partner Koharu Sugawara’s adaptation of his Japanese song Sayonara Hitori. Of course, there are the music vides of his hit songs Danger, Drip Drop, Press Your Number, and 2017’s Move, which has somehow become his signature song and a full manifestation of his now-popular androgynous mage. 

Taemin is currently just a year over his mandatory military service, but there was a bit of concern earlier this year when SM Entertainment announced that he has transferred from being part of the military band to being a public service officer because of depression and anxiety attacks. We wish Taemin strength for the remainder of his duty, not to mention countless Shawols who are eagerly anticipating your comeback next year! 

Super Junior’s Kyuhyun

Now, here is the embodiment of a golden and evil maknae rolled into one. From the start, Kyu  had a huge headstart in his idol career, having only trained for a few weeks before getting included in Super Junior. Members of Super Junior who were already at ease with the lineup they had for Super Junior 05 with Ryeowook (who also had a very fast road to idol-dom, having joined SJ05 only weeks after getting accepted into SM) as the maknae got a bit insecure as to why a relatively fresh recruit will now suddenly join their group at the expense of other trainees (e.g. Minho who was eventually selected for Shinee and Suho who had to wait for years before finally getting picked for EXO). But then, all it took was for them to listen to the unicorn voice of Kyuhyun, and everything’s understandable. 

Super Junior’s maknae is the perfect missing piece to complete Super Junior’s vocal line, which is perhaps one of the most well-matched vocal lines in K-pop. While in other groups, you may hear two or three very capable main vocalists, a lot of them happen to sound alike. With the three SJ vocal kings, things are mind-boggling-ly and astoundingly distinct. Yesung has the strong and husky voice, Ryeowook has the strong and high-pitched belting voice, and Kyuhyun has the strong and cool-as-a-cucumber tone. And when you combine the three, you will be convinced that perfection exists. 

https://youtu.be/DidV7iC3Yb4

Kyuhyun has had a pretty solid career as a soloist, having released a good number of solo releases and OST contributors, as he is known as the male Taeyeon, being one of the most, if not the most in-demand and successful male OST artists. He may not be known as the Super Junior’s best dancer at the level of  Eunhyuk and Shindiong, but he always champions his role as one of the front dancers during the dance break of Bonamana as proof of his dancing skills. Finally, Kyu’s biting wit and sassy humor have also allowed him to be regularly cast in talk and variety shows, his longest stint being one of the regulars of Radio Star, where he went head-to-head with the renowned unapologetic TV personality Kim Gura. For those who miss his distinctly borderline evil retorts, there’s always his KYUHYUN YouTube channel, which as of press time already has 78 videos and close to 600,000 subscribers. That’s more subscribers for lesser videos than Worldwide Star Heechul’s YouTube channel! 

Beast / Highlight’s Dongwoon

Even with the original lineup of six members, a closer look at them and you won’t suspect who the maknae is. Chances are, people would usually pick the main vocal Yeoseob as the maknae, with his petite stature and literally small face. But once everyone’s birthday is revealed, it is quite surprising that the group’s tallest and most mature-looking member, Dongwoon also happens to be the youngest. As he was born on June 6, 1991, that puts him a year and three months younger than the next youngest Highlight (and Beast) member, Gikwang, who was born in March 1990. 

But because of his height and movie star looks, Dongwoon has not really been considered the group’s maknae ever since, although his off-stage behavior is more playful and less serious compared to the group’s former main rapper Jonghyun and leader Doojoon. But then, his gentle giant demeanor actually makes him closer to the group’s fake maknae Yeoseob, while his fitness obsession has identified him as close to the group’s beastly member Gikwang. Until he deactivated his Instagram account before he entered the military and before Jonghyun got embroiled in the illegal video scandal, Dongwoon treated followers to photos and videos of his gym activity, which really made people doubt if he was the youngest in the group because of his well-developed physique. 

Take note though, that even if Dongwoon’s visuals are the most inclined in the group to star in television dramas, it has been Doojoon (who can forget the iconic Let’s Eat series) and Gikwang (as early as 2009 in High Kick Through the Roof) who have acted. It wasn’t until 2021 when Dongwoon finally had his first web series lead role in The Guys I Want to Catch with Teen Top’s Neil, Pentagon’s Wooseok, and Victon’s Sejun. He is set to appear on SBS’ Today’s Webtoon, which starts one of the hottest idol actresses to date, Kim Sejeong. 

BtoB’s Sungjae

Unlike their former seniors in Cube Entertainment, the maknae of BtoB also does look like the youngest. But then, with even one idol (ex-Sechskies member Sunghoon) commenting that everyone in BtoB is ugly, this couldn’t be more true. With Minhyuk making it his business to be on the cover of Men’s Health every opportunity he gets and Peniel proving that bald is hot, the group has proven its staying power, with military duties finishes and lineup changes after the departure of Ilhoon. After receiving a relatively lukewarm reception for their dance tracks like Thriller, Insane, and Beep Beep at the start of their career, the group eventually found a niche they cornered with ballads that showcased the strengths of their vocalists while still allowing Ilhoon, Min-hyuk, and Peniel to still establish their credibility as rappers. Thus, hits such as Missing You, Way Back Home, Remember When, and Beautiful Pain cemented the group’s reputation as vocal kings.  

Besides, the group’s maknae, Sungjae, has been working triple time to maintain the group’s high profile. In a group dominated by extremely talented vocalists such as Changsub, Hyunsik, and Eunkwang who are well-known for their high notes, vocal runs, and ad-libs, Sungjaw supplies a very solid lower register but also doesn’t shy away from the high notes when needed. His dancing skills aren’t that bad as well, and most importantly, contrary to what that senior idol said, Sungjae’s visuals have also allowed him to appear on TV in some high-profile dramas. After getting recognized by K-drama fans all over the world for his breakout role as a chaebol heir in the Gong Yoo-headlined Goblin, he has also since been the main protagonist of the drama Mystic Pop-Up Bar. 

Since ending his military conscription late last year, Sungjae has been busy releasing and promoting new music with BtoB and is set to lead the drama Golden Spoon with DIA’s Chaeyeon and former Momoland member Yeonwoo, which is expected to be released before the end of 2022. Not bad at all for the maknae of a group considered to be a visual black hole, yes?   

Seventeen’s Dino

When you are the maknae of a group with thirteen members, it may seem that you couldn’t catch a break. After all, you would need to deal with twelve hyungs, which means giving way to twelve other people whom you are expected to respect (at least publicly), be understanding with twelve different temperaments and personalities while having to deal with your own issues. After all, the life of an idol is no walk in the park. 

Such is the case of Lee Chan, aka Dino of the thirteen-member mega-group Seventeen. Imagine having to deal with twelve other members, two of which are Chinese and one who grew up in the US? Five main vocalists, four main rappers, and including you, four main dance performers. But then, just like Super Junior maknae who has had to deal with so many hyungs in his idol career, Dino is no docile slouch. He is classified as one of the members of the Performance sub-unit, he has also rapped in some Seventeen tracks, and otherwise, has sung most of his parts. Which makes Dino the ultimate triple threat – vocalist, rapper, and dancer. And to be recognized as great in those three areas where you have Hoshi who shares the responsibility of choreographing for thirteen people, DK and Seungkwan who are expected to do high notes and vocal run ad-libs in every song, and SCoups and Vernon who are recognized in the industry as legit rappers is really something.

Also, in all variety shows including their own produced Go Seventeen, Dino is not one of those maknaes that shy away from exposure. Maybe through the years of having to deal with twelve hyungs, he has grown a thick skin and is definitely not one to refuse to promote himself. Even with the constant teasing of his members, Dino is often seen speaking his mind and standing up for himself, particularly when it comes to interacting with the more outspoken members, most especially Seungkwan. Just when you think that Seungkwan takes the case as the Seventeen member with the sharpest tongue, you have to watch Dino-Seungkwan interactions in Go Seventeen, as their banter is half bickering, half sermon (at least in Seungkwan’s part to remind Dino who’s older between them) and 100% entertainment. 

And those are just six! We haven’t even elaborated on ASTRO’s Sanha, known in the industry as the bossiest maknae around, or Pentagon’s Wooseok and Monsta X’s IM who, like Highlight’s Dongwon, doesn’t look like maknaes of their respective groups at all. Stay tuned for more maknae countdowns!

Featured Image:  Jungkook from BTS. Picture from BTS official Twitter account.

When it comes to fandoms, we can say that a good number of them were subjected to an intense emotional rollercoaster this year. BLINKs had to deal with the ups and downs of finally getting a comeback after close to two years while being treated to some poorly executed concerts. ARMY had to deal with the BTS Festa of June 14 where several announcements were made that were misinterpreted and downright sent them into a tailspin and Jin started his mandatory military duty. Both BLINKs and ARMY had to deal with the seemingly eternal rumors of Jennie and V dating, Orbits were held hostage of whether Chuu is in or out of LOONA, FEARNOTs had to say goodbye to Garam after only meeting her weeks before, and SUMITs have been in limbo since the departure of two LIGHTSUM members. 

As for CARAT, the fandom of Seventeen, 2022 can be considered a year that they got spoiled, big time. So much content, so many new releases, and the group just going non-stop in their continuous stay at the top of K-pop royalty!  What more can CARATs ask for? Well, let’s take a trip back the entire year and count the ways S.Coups, Jeonghan, Joshua, The8, DK, Mingyu, Jun, Woozi, Hoshi, Wonwoo, Vernon, Seungkwan, and Dino managed to keep the CARAT fandom wanting nothing. 

The new music 

When it comes to releasing new music, it’s pretty obvious that SVT has maintained that “rookie mentality,” which is a rare thing among groups that are their contemporaries. You see, once a K-pop group reaches seven years, the quantity of their new releases starts to noticeably decline for a number of reasons. One, most, if not all idols starting in the second generation, are party to 7-year contracts, which means once this initial contract expires, the idols can either keep the being a part of their company, their group, both or altogether leave their company and group to sign up in another company. Thus, both the groups and the companies deem it impractical and financially unsound (let’s not forget that k-pop is still a business, guys) to plan a full year of activities for a 7-year group when there is a huge possibility that a member (or two, or three, or in iKON’s case, all member) might end up not renewing their contracts.       

Two, and this is particularly true for boy groups, it’s usually also in a group’s seventh year that members start to push for their individual or sub-unit releases since a member or two will already start going on hiatus to start their mandatory military service. Especially when the most popular members go on leave, the scale of a group’s releases may not be as grand as before and expect that to be true with the number of releases as well. Finally, the third reason benefits both the company and the idols, as groups that have lasted for seven years may usually have established fandoms that will continue to support them whether or not they get new music or not. As seen in groups like Girls’ Generation, Kara, Apink, Shinhwa, Super Junior, TVXQ, and 2PM, they can already afford to take long breaks without releasing new music and still have impactful comebacks once they do reunite. A solid fandom can bring out that confidence that “legacy” groups need to pace their releases down to one new song/EP/album a year. For idols, this allows them to keep their solid relationship with the group’s fans while giving them a lot of time to also pursue their individual career goals and maintain a good degree of physical and mental health. This also works for the company, because they don’t need to funnel too much effort into the “aging” group in terms of marketing and executing huge-scale activities while allowing them to be more focused on younger and new groups. 

But throw all of those justifications out the window for Seventeen, because they are releasing music like they just debuted recently. After the wildly successful Attaca, their first EP to sell more than 2 million (yes, 2 and six zeros) copies in late October 2021, they presented not one, not two, but three albums to Carats in 2022. That’s one full-length album in May entitled Face the Sun, one re-issue of Face the Sun entitled Sector 17 in July, and Dream, a Japanese EP in November. All three releases went straight to numero uno on both the Korean Gaon/Circle and Japanese Oricon charts (yes, the two Korean albums managed to top the Oricon charts as well), not to mention Face the Sun and Sector 17 peaked at numbers 7 and 4 respectively, in the US Billboard Hot 200 charts.     

And let’s not forget the singles! Hot, the title track of Face the Sun, peaked at number 7 in Gaon/Circle, while _World took spot number 4. In the US Billboard World charts, the two peaked at number 3 and 12, respectively. The group’s first all-English title track, Darl+ing, peaked at #15 on the US Billboard World charts, while Dream ended up in 27th place on the Billboard Japan Hot 100 chart.   

So, the group renewed their contracts before Attaca was released, so that’s way before their contracts were set to expire this year. Moreover, leader S.Coups and Jeonghan, who also happen to be the oldest members, won’t be anywhere near the dreaded h-word (h*atus due to military enlistment) for another three to four years. Alas, it is yet unknown whether Korean-American Joshua, the third oldest member, will do an Ok Taecyeon and perform his patriotic duty of finishing his military duty. The group basically assuaged everybody’s (including Pledis’/HYBE’s) fears by renewing their contracts early and still being far from any hiatus. The nearest thing the group has ever been on hiatus was The8 and Jun going home to China after a gazillion years in December 2021, which exempted them from doing some Attaca promotion-related activities. To top things off, with the prolific Bumzu-Woozi team that seems to have a penchant for producing songs like a well-oiled machine, we seriously don’t see Seventeen slowing down on their song-releasing speed like a “legacy” group even as they enter their first decade and “senior” group era.     

The solo and unit releases

With most groups, it takes years for a member to release solo music. In most cases, it does take around 7 years for an idol to release solo material, and this is usually presented to them by their companies as a way to make them stay. After all, there’s nothing more idols would want more than to be recognized as very capable soloists aside from their reputation in the groups they are part of. Moreover, it can be speculated that companies want to establish the popularity of the groups first before giving individual members solo music projects. Finally, these companies may also want to avoid moves that can be misconstrued as favoring a certain member who is given a solo song. Thus, solo releases from Kyuhyun, Ryeowook, and Yesung from Super Junior, all SHINee members, Suho, D.O, Chen, and Kai from EXO, everyone from BIGBANG, and Mino and Yoon from Winner only came after years of their groups’ debut.

Seventeen members didn’t have to wait that long to release solo material. Fans of Woozi, Seungkwan, and DK have heard their contributions to some popular OSTs, and last year, we had Jeonghan, Hoshi, The8, and the pillar hip-hop pair of Mingyu and Wonwoo release singles, racking millions of music video views and Spotify listens. This year, The8 started the year with Hai Cheng, a single that may be more expected of a vocal team member rather than a performance team member. A full-fledged ballad compared to his 2021 mid-tempo hit Side by Side, the single proved that the boy from Haicheng (yes, the title of his 2022 song is his hometown) can also successfully sing slow-tempo songs as his teammate from Shenzhen, Jun. But then, you can still see glimpses of Minghao the performer as he dances with his partner ala Gene Kelly and Lalaland choreography in front of the beach and in some park benches while wearing trench coats. How’s that for performing team supremacy? 

Speaking of Jun, after releasing a string of ballads for the past few years, it was his turn to go mid-tempo in the dark and very sexy Limbo. This is definitely not your sweet, pure, and innocent       fake maknae singing one of his ballads. What a dramatic turn as Jun wears shiny black leather outfits and performs some really slinky moves while welcoming us to his limbo. And based on the music video and stages, more than the costumes and the song itself, it’s really the choreography that shines bright, which is perfect for our Prince of China to showcase his undeniable performance skills. 

While Jun used red as one of the color themes for his Limbo music video, our genius PD Woozi went all the way to use the color for his 2022 song, Ruby. The release surprised lot of fans, pleasantly at that, because the song has more of an edge with its alternative rock sound. Based on experience, we did expect Woozi to come up with a ballad for his solo project, so this very energetic rock song is a very welcome surprise. The music video also didn’t disappoint, as our small but terrible vocal team leader sported some very fashionable sleek looks. 

And towards the year’s end, our Leo DiCaprio lookalike gifted us with a pre-Holiday mixtape entitled Black Eye. And just like Woozi’s edgy turn in Ruby way back in January, Vernon also presents us with a not-so-surprised-but-not-entirely-expected pop-punk sound with Black Eye, an all-English language track. Keen Carats will of course observe that this is not the first time our hip-hop team member has dabbled in this kind of sound, as his duet with Joshua on the Attaca album, 2 Minus 1, has a similar vibe. Black Eye might not be a full-on emo track, but it does harken to an early-2000s rock band or an Avril Lavigne semi-angsty emotional rollercoaster song. Imagine that, one of our reliable rappers can sing an entire song without going into a burst of rap rhymes!

Lest we forget our main vocalists shining in their craft – singing the hell out of tear-jerking OSTs! Our musical King DK released the wildly successful Go! (not to be confused with Go, Seungkwan’s contribution to the Record of Youth Soundtrack in 2020) for the Twenty Five Twenty One OST. On the other hand, Mr. Sassy main vocal Boo released Pit a Pat for the Link: Eat, Love, Kill OST. And did we say that our K-pop Ph.D. also released a Spotify single of his version of Harry Styles’ As It Was?  

Going strong with GoSe

It is without question and not up for discussion that Going Seventeen, the boys’ web series readily available on YouTube, is the most engaging variety program in the world of K-pop? Make someone who doesn’t have a single clue of who Seventeen is watch an episode of GoSe and chances are, that viewer will simply fall in love, or at the very least, laugh at the boys’ antics in the show. 

This year, the world was again blessed with 29+1 episodes of the groups’ antics, and it would take a separate article to name our favorites for just this season. Here are three rather memorable episodes:

How to Eat Rice the Perfect Way (Part 1 and 2), GoSe’s first episodes of Part 2 of the 5th season. The appearances of Hoshi’s mom and Dino’s grandma were simply precious and obviously tugged at the Carat’s heartstrings. Woozi won the game, but a familiar character returned: supreme cheater and schemer Jeonghan, who used his wish coupon to take possession of Woozi’s prize for winning the game, which was a snack privilege. This episode also gave birth to a legendary character that is destined to make several comebacks in future GoSe episodes: The Hungry Monster whose only line is “beh goopa” (I’m hungry) and play to exaggerated perfection by musical theater actor Dokyeom.   

Runner-Up Sports Day, an episode that was an absolute treat to Jun-stans. Members of Seventeen play various games but should only aim for second place. In reality, the entire production plays a prank on Jun: the members should furtively play the games in a way that will lead to Jun’s victory. If Jun wins the games (by finishing second place overall) without noticing what’s up, all members will receive a Children’s Day present whereas only Jun will win a gift if he wins and realizes he is the center of the ruse. But if Jun loses (by not finishing second overall), no one receives a gift. The members succeed in secretly making Jun the overall winner of the intramurals. Too bad S.Coups, Hoshi, and The8 were not in the episode because of COVID-19. Otherwise, Jun’s innocence and purity, the expected antics of the boys (usually involving Dino having to fetch a dodgeball from far away), and the return of the Hungry Monster in a game that involved flipping the blankets of the members are what made this episode one for the books. 

Going Seventeen Special: Going SVT X MMTG, an episode that featured the unbeatable K-pop doctorate degree holders Seungkwan and Jaejae. Have you watched MMTG episodes where Seungkwan was a guest and the two can discuss the history of K-pop for hours and not run out of things to talk about? Well, this collab episode may not have featured the two gabbing the episode away, but it still featured the undeniable chemistry between the two, as well as Jaejae going along with the antics of the other members. In this episode, Jaejae was introduced to three of their best Going Seventeen contents (“Insomnia-Zero“, “Debate Night” and “Don’t Lie“) and competed on which of these contents raises her heart rate the most. 

That truly global tour

The running joke for “global” tours in the K-pop world is that they include a number of shows in Seoul, a couple of concerts in Japan, and an appearance at a KCON event in the US. Obviously, fans in Europe, Southeast Asia, the Middle East, Australia, and the Americas argue that Korea, Japan, and a single US show do not a world tour make. 

Good thing the group’s Be The Sun tour included two shows in Seoul before going on multiple stops across the US and even in Vancouver before going back to Asia for stops in Bangkok, Jakarta, Singapore, and Manila. The tour was mostly sold out and additional two dates were added in the Philippines (at the Philippine Arena, aka the largest indoor arena in the world) Jakarta for December 17 and 28 shows, respectively. 

This brings us to the rather unfortunate plight of European CARATs. Seventeen has never been to Europe and the Ode to You Tour of 2019-2020 was supposed to change this. Alas, COVID-19 dropped its viral impact on the world, which caused the cancelation of the tour’s stops in Berlin, London, Madrid, and Paris. Alas, when the Be The Sun tour dates were released, there were still no European dates and Hoshi even held a V-Live apologizing to the group’s European fans for Europe’s exclusion from their tour schedule anew. 

Anyhow, it’s not like they’re unknown in Europe. On the contrary, there was outrage over the continent’s exclusion in the BtS tour, not to mention the group won a number of awards in the 2022 MTV Europe Music Awards.  Next tour, perhaps?

As 2023 has started, we can only wish for CARATs to be as spoiled this year as they were in 2022 and for European CARATs to finally get some love from the group.

Featured Image: Seventeen Official Twitter

Ever wonder what happens to idols when they leave their agencies, the companies that they spent years training under and worked so hard just to be part of? Here are three unique cases.

Mamamoo’s Wheein: The Amicable and Trendy Standard

The departure of Wheein from the agency of her group, RBW, was one that didn’t seem like it had any animosity or bad blood. As with the trend with most idol group members who have decided to leave their agencies but not their group, Wheein did hop on to that trend when she decided to leave the group’s parent company in June 2021 while the three other members, Solar, Hwasa, and Moonbyul, continued with their contracts with RBW. However, as Wheein declared that she still has a lot of affection and affinity to her group, she decided to keep her schedule open to Mamamoo activities until 2023.

Many speculated that Wheein didn’t feel she was given much importance by the company during the first seven years of her career, which she spent with them both as a Mamamoo member and a solo artist. However, looking at the history of the group, it was actually Wheein who debuted first as a solo artist among the four members when she released her first solo single Easy on April 17, 2018, which was a few days before Solar released her first solo EP, Solar Emotion, on April 24. Looking closely, there wasn’t really much of a difference in how the four members were treated by the agency. Alas, the difference in popularity among the members, where people argue that Hwasa is definitely more popular than the three others, is not really the fault of the company, as it can be argued that actually, in terms of pushing them in other activities, Solar has gotten the most TV exposure as early as 2015, when she joined King of Masked Singer and when she was Eric Nam’s “wife” in We Got Married the following year.

Alas, when she was asked by Teen Vogue why she decided to leave RBW and join Ravi’s THE L1VE label, she had this to say: “I wanted a fresh start. I wanted to maybe experience the new environment under the new agency. That was my hope and I wanted to take a stepping stone into my personal growth in a new angle.”

With her new agency, Wheein has since released her second EP, Whee in January 2022 and has also held her first solo fan meeting ‘D-DAY’ at the Yes24 Live Hall on April 17. Looks like our Wheepup has settled in her new agency. Now, can we have new Mamamoo releases, please? 

JYJ: Messy and Unfulfilled Promise

Here is one group that made one of the most, if not the most awkward and messiest of exits from their entertainment agency in the history of Korean pop music. So, this all started in 2009 when all of a sudden, Jaejoong, Yoochun, and Junsu, three members of TVXQ decided to quit on the group. A court battle raged on for three whole years, which was pretty much damaging for the JYJ members who had to deal with it while trying to establish their careers as a new group. 

What exactly was JYJ‘s problem with SM? It was actually the contract that they had with SM, which they stated was much too long (thirteen years total) and the idols felt that only the agency would benefit from such terms. The idols questioned its legality of it. SM, however, revealed that according to the law, a contract that binds an artist for over seven years is completely legal on the condition that the artists are active overseas. Finally, the agency also said that it was actually family members of TVXQ who insisted and requested that SM Entertainment honor the thirteen-year contract with TVXQ.

On the subject of the three claiming they were not paid the correct wages, SM Entertainment also claimed that they kept all the promises they made with TVXQ, including paying them the correct amounts for their talent fees. 

For their part, JYJ has stated over and over in the past about the issue that they were coerced into the thirteen-year contract and activities overseas and despite their unwillingness to do according to the agency’s wishes, they stated they had no choice but to remain silent for a long time since they believed in their work ethic.

The conflict was resolved in November 2012 as both parties agreed to terminate all contracts and not meddle in each other’s affairs from that point on. But then, everybody knows that engaging SM Entertainment in a legal tussle will result in dire consequences for the other party. Hangeng, Kris Wu, Luhan, and Tao may not have felt a huge impact as they transferred their career home bases to their native China, but JYJ and Jessica Jung surely felt these consequences. 

Given SME’s economic clout within the industry, the entertainment giant implemented on JYJ (and later with Jessica) that unspoken ban  – JYJ was banned from award shows, concert venues inside South Korea, and various music charts. Despite the legal battle and consequent bans, JYJ did flourish though, with all their albums and EPs charting at the top both domestically and in Japan.  Their songs also charted very well, with their lead singles all managing to chart in the top 20 nationally. Ayyy Girl and Empty managed to peak at numbers 19 and 18, respectively, while their succeeding singles Get Out, In Heaven, and Back Seat charted in the single digits, reaffirming their success after all the legal troubles and SME manipulation they went through. Even their Japanese release Wake Me Tonight, managed to peak at number 2 in Oricon. That was their last release before all three started their mandatory military duty. 

But then, trouble never left the three. Yoochun as early as 2016, was embroiled in accusations of sexual harassment. In 2019, C-JeS Entertainment, JYJ’s agency, decided not to renew his contract after he was involved in a drug abuse controversy. He served his probation, but then got involved in a dispute with an agency again as he claimed that his agency, Re:Cielo (the agency he signed to after getting kicked out from C-JeS) did not pay him correctly for his work (sounds familiar?) The court has since then temporarily banned him from engaging in activities in the entertainment industry. 

Meanwhile, Jaejoong has been more active in the Japanese market, although he released his own documentary entitled Jaejoong: On the Road in 2021. Finally, Junsu, now known artistically as Xia, has been very active in both music and television, although his music releases have been self-produced with his agency Palm Tree Island after he decided not to renew with C-JeS in 2021.

https://twitter.com/AkananiHana/status/1610837473231515649?s=20&t=mex_6SiQDFztih3TM9KtNw

But with all the problems Yoochun has brought to the table, it is highly unlikely that Jaejoong and Junsu would want to even be associated with him. With contracts ending and personal issues occurring, it is highly doubtful that there will be any JYJ complete group comeback. Actually, JYJ did have a release for a Japanese OST in March, but then, that only had them as a duo, and using “JYJ” when the Y has been problematic as hell would not make any sense. Maybe rename the duo to The Js? Imagine that, TVXQ was forced to become a duo since 2009 and the group created by the members who quit has now been reduced to a duo as well, thirteen years later!  

One quick point: With JYJ as OT3 eventually going on a hiatus in 2015, would it be safe to conclude that the group did not really live up to its full potential? I mean, JYJ broke away from TVXQ in 2009, then only really got liberated from legal troubles in 2012, and only promoted as a complete group until 2015. That means they were really just a fully functioning group for three years, which was also how long the group was embroiled in its legal drama with SME. With TVXQ debuting in 2003, that means that the fabled “slave contract of 13 years would have been over by 2016, which would have been a year more than JYJ’s active timeline. With JYJ also having a dip in activities for those three years from 2009 to 2012, that meant that they did stand a lot to lose then. Imagine had they stayed in SME until their “slave contract” expired in 2016, how they could have not lost those three years + 1 year after 2015? It does make one question if all the trouble the two Js went through from 2009 to 2012 and beyond (after Yoochun’s mess, which also caused a stop in JYJ group activities) was worth it in the end. 

But then, all this time, I’m quite sure SM Entertainment has felt highly relieved that they dodged the toxic Yoochun bullet. 

HyunA and Dawn

Now, this is a case of slight Romeo and Juliet feels in the K -pop world not only because they’re supposed to be star-crossed lovers, but also because there was a clear case of miscommunication and tangled comms among the parties involved, leading to a bit of a disaster, which fortunately now has a happy ending. Much like the hapless duo of Shakespeare who got confused about whether the other took the poison or not, HyunA and Dawn had a weird back and forth with their agency, Cube Entertainment, which led to them getting kicked out from the company.

To start things off, HyunA was Cube’s precious gem. When Wonder Girls’ rapper left the group and JYP Entertainment only after the group debuted, people were quite curious where her career would end up, should she get better (as she left WG and JYPE because of health problems) and continue her career as an idol singer. Alas, a former JYP employee who has moved to Cube Entertainment recruited her and she became one of the company’s top acts. She got included in the company’s first girl group, 4Minute while she was also supported by the compay to release solo material. The group succeeded, though it did feel like the group was built around her as her sort of vehicle to gain more popularity, although it can be seen as unnecessary because as mentioned earlier, Cube also quickly launched her as a solo act. 

There was a small hiccup at the start as Change, HyunA’s first solo song didn’t become a phenomenon as expected, though it sold millions of copies and peaked at #2 in the national song charts. Suffice to say, the song wasn’t on everybody’s subcionsciousness as her succeeding songs would. When you think about how Red, Ice Cream, and Bubble Pop would be these iconic, massive hits, you’d understand why Change was a bit underwhelming. But we digress.

HyunA’s solo career took off, 4Minute gave her more activities, not to mention 4 backup singers and dancers. Everything HyunA touched turned into gold, and Cube was not blind to that. She signed her up for a project duo with Beast’s Hyunseung called Trouble Maker, which released two EPs with the lead singles Trouble Maker and Now, which became massive hits, arguably even bigger than the hits of her own group 4Minute. 

With Hyunseing and his group Beast getting de-prioritized by the company, Trouble Maker was put in the backburner even with its proven success. In comes Pentagon, Cube’s new boy group, in 2016, the same year HyunA’s group 4Minute, was officially disabnded. With HyunA only being a solo artist, Cube gave their golden girl a new group with the new boy group’s members, E’Dawn and Hui. Triple H was not as successful as Trouble Maker, but it may have triggered something between HyunA and E’Dawn, as photos of the two were released in a number of publications. Then, came the Romeo and Juliet-reminiscent events. Here is a chronological list of events:

1. HyunA and E’Dawn photos come out.
2. Cube, considering the repercussions of two of its high-profile talents being involved in a dating “scandal”, denies the rumors.
3. A few hours later, Yeonhap News releases and interview with HyunA and E’Dawn, with both admitting to their relationship that started as soon as Triple H was formed. 
4. Cube, in disbelief that two idols at the peak of their careers easily admitted to having a relationship, cancelled all previously planned performances for Triple H, on-air appearances and fan events including a fan meet-up that was scheduled on the next day
5. Fans were divided, with some calling for E’Dawn’s removal from Pentagon, while others pointed out that the company cared more about the repercussions of the scandal rather than putting the welfare of their artists first. 
6. On September 13, Cube Entertainment announced that they would be terminating both HyunA and E’Dawn’s contracts, as they felt that there was a breach of trust among the parties. 
7. On October 15, Cube Entertainment officially confirmed Hyuna’s departure.
8. On January 27, 2019, HyunA signed with P Nation, a new agency founded by Psy since he left YG Entertainment in May 2018. On November 5, 2019, she released a single titled Flower Shower, her first release under P Nation.

As you have read with those three cases, there is indeed life for idols even as they leave their agencies. Some might have their careers stalled a bit because of some issues that would arise once they decide on leaving, but as with everything in life, everyone carries on and hope their decisions would lead them to success.

Featured Image: Screengrab from JYJ Official video ‘Backseat’

When we think about the youngest members of girl groups, referred to as maknaes, we often conjure images of docile and sweet members who are always obedient to their unnies. Think of Girl’s Generation’s Seohyun, the perfect personification of a maknae. But then, for every Seohyun, there’s also a feisty Minzy. Here are three other maknaes that have broken stereotypes and have simply endeared themselves to the public.

TWICE’s Tzuyu

Tzuyu is one of those “anomalies” in the world of Korean idols for the most obvious reason that she is not Korean. But for some reason, Tzuyu is well-loved, arguably even more loved by the Korean public compared to her also foreign groupmates, the Twice Japanese trinity of Momo, Mina, and Sana. By most accounts, Tzuyu is even more popular in Korea compared to some of Twice’s Korean members, and the reasons can also be obvious.

Tzuyu ticks all the boxes in the checklist of Korean beauty standards for idols. But more than that, Tzuyu also fits Korea’s type when it comes to concepts. Mind you, Koreans aren’t really into overly cute concepts, but they generally like idols who exude the “girl next door” type of innocence and youthful charm. Her simple sense of styling, fashions, and makeup has the Korean public respond very positively to her. And even her controversial scandal had a lot of public sympathy swing towards her direction. 

It was 2015 and just shortly after TWICE‘s debut, the group’s foreign members guested in the variety show My Little Television. Tzuyu’s introduction of being Taiwanese and showing a Taiwanese and Korean flag in her bed sparked a furor among Mainland Chinese fans, with the group getting barred from Chinese TV and our girl losing lucrative deals from Chinese brands. But then, the incident endeared the troubled maknae to the Korean public more, as they deemed the forced apology as excessive. Moreover, a lot of Taiwanese youths were also affected, with pro-Taiwan sentiment becoming more popular during the country’s 2016 general elections.  

Mamamoo’s Hwasa

If you’re not that familiar with Mamamoo and see all four members for the first time, you definitely wouldn’t guess who the group’s maknae is. That is because all four give off such fierce and unapologetic auras, which is quite far from the docile and close to submissive demeanors maknaes are expected to project. But of course, there has to be a member who has the latest birthday and thus, is younger than the others, and that distinction goes to none other than Twit Queen Hwasa. 

Obviously, Hwasa is a very important part of Mamamoo, being a very dependable all-rounder. While Wheein, Solar, and Moonbyul can also display a lot of talents, they are often in charge of particular roles such as vocals, rap, or dance. With Hwasa, you’re not really that convinced that she is solely a vocalist, a rapper, or a dancer. And she doesn’t disappoint as, throughout the group’s career, Hwasa has proven that she can practically do everything well. She can go toe-to-toe with Wheein and Solar when belting those high notes and performing those surprising ad-libs (well, they are Mamamoo after all) while also busting moves and spewing rhymes with Moonbyul.  

But then, throughout her career as an idol, Hwasa has also staged successful collaborations with other artists. Her vibrant personality enables her to work effectively with anyone, not to mention bring her unique flavor into the collaborations, from Refund Sisters, Loco, DPR Live, ONEWE, Park Jin Young, and Uhm Jung Hwa to an international star (Dua Lipa)! 

Also, with just a quick look, you can obviously tell that Hwasa is not a fit for the strict and stringent beauty standards the Korean public imposes on its idols. But has this stopped Hwasa from proving herself, which begs the bigger question, has Hwasa’s unconventional beauty and demeanor stopped Koreans from idolizing her? Definitely not! In fact, not only the Korean media but also Korean marketing research agencies have testified to the “Hwasa effect” where people catch on and buy the things Hwasa uses and endorses, from the food she ate when she was featured in the variety program I Live Alone to the daring and distinctive outfits she has worn in her performances and posted on social media. 

Through the years, Hwasa has been very outspoken in advocating for women’s rights, revealing her true self even in public (that goes for both her face sans makeup and her attitude), and being honest about her struggles. In one Mamamoo concert, she said something in Korean that became an iconic battle cry for everyone who doesn’t conform to convention, which translates to: “If I don’t fit into this generation’s standard of beauty, then I will have to become a different standard.” Maknae on top attitude, indeed!  

Blackpink’s Lisa

Hail, the queen! We know the attitude, the loudest in the room, the breathtaking charisma! Blackpink‘s maknae doesn’t play games. From the moment Blackpink debuted, Lisa showcased a wide variety of talents that endeared her to prospective Blinks, the Korean public, and international audiences. The group’s first two singles alone, Boombayah and Whistle had already proven that she was the group’s superior rapper (sorry, Jennie). In the group’s successive comebacks, she further established her position as the group’s main dancer, so much so that variety shows and reality competitions have chosen Lisa as a judge and mentor to aspiring trainees and contestants. And as for personality, people have gotten fond of Lisa’s duality – while she is one of a very few idols who can effectively pull off a girl crush image on stage, strong and firm while being a mentor in Youth With You, and yet be cute, girly, and soft-spoken in real life, be it during interviews or on Blackpink House. 

As the maknae of arguably the most high-profile K-pop girl group of the fourth gen, Lisa is a subject of intense scrutiny. Constant comparisons are always brought forth not just between her and the other members, but also among other female foreign idols. Critics are quick to point out that Lisa’s inclusion in a group that exudes a girl crush image isn’t doing her any favors since Koreans, although impressed by groups that are effective in the girl crush concept (from 2NE1 to G-Idle) still ultimately prefer groups and personalities that embody the sweet, innocent and eventually elegant concepts (from SES to Apink). Thus, many argue that Tzuyu and the TWICE Japanese members are more popular than Lisa. 

Moreover, many also feel that in her group, Lisa gets a short end of the stick even when she has already proven how massive her global fanbase is. Lisa not allowed to go through with her activities in 2021 Paris Fashion Week even when she was in Paris while Jennie, Rose, and Jisoo all got to appear in the activities of the fashion houses they are connected to? Check. Lisa having to wait for Jennie and Rose to debut solo before releasing her own project? Check? Lisa getting a questionable debut song? Check. Now, before you raise your pitchforks, here are some arguments as to why the Lalisa debut wasn’t all that it was made to look. 

In terms of sales and music video views, you can definitely count on Lisa’s fandom to give record-breaking numbers. Thus, it is no wonder that despite not being the inaugural member to debut, Lisa’s can be considered (arguably) as the most successful. The song and music video quality though, is altogether a different conversation. Jennie’s and Rose’s solo songs are pretty much straightforward in the message they want to convey. Both songs talk about realizations – Jennie’s Solo talks about realizing that she needs to be free from a toxic relationship and that she’ll be better off going solo, while Rose realizes that despite achieving her dreams of fame and fortune, “everything I need is on the ground.” 

And what about Lalisa? Since the song has been released for quite some time already, we can do a more objective review of it, and listening to it now, it breaks my heart to realize that the song is not really at the same level as On the Ground, Gone, and Solo. What it is a repetitive song telling listeners what we should call Lisa and the levels of bad-a**ery she already possesses and is capable of exhibiting. While Lalisa is a great hype song and maybe an effective pick-me-up when a lousy mood strikes, there’s not much else in the song worthy of noting. 

Add to that the music video that only features Lisa in different bada** locations and roles – as a Siamese queen, a SWAT team leader raiding a room full of… speakers, a well-dressed pedestrian walking thorough a neon light-filled alley,  a singing motorcyclist, a dancer wearing a beanie, a pole dancer, an ATV-riding character reminiscent of Mad Max, and then what looked like the real Lisa singing the song’s bridge in an all-white house before finally settling down on dancing in an all-white ensemble with giant letters spelling L-A-L-I-S-A on the background. Seriously, while it’s supposed to be very empowering, it’s also a whole lot repeititve and cloying by the third time she commands to say, call, and love Lalisa. 

Which brings us to Lalisa peaking a number 64 in the Gaon charts. In contrast, Solo peaked at the top and On the Ground reached #4. Enter international netizens claiming Koreans showing blatant racial discrimination. Take note however, that her follow-up single Money, while not having charted in Korea anymore and doesn’t even have an official music video, charted higher in the UK, Australia, France, and Canada. Well, maybe we can consider the possibility that Lalisa sounded like a pre-release and maybe they should have promoted the arguably better Money as Lisa’s official single. Besides, the fact that Lisa still managed to break records and launch a successful debut as a solo artist despite a rather overly self-indulgent song means that people, Koreans and internationals really love Lisa. A good number of fans may have expected more, which YG unfortunately didn’t live up to. 

So, there you have it, three of the most empowered, popular, and well-loved girl maknaes. We hope to see more of them soon, and here’s a thought: Wouldn’t it be great for Tzuyu to have some solo work?

Featured Image: Mamamoo Official Twitter

If Taylor Swift’s music video for her hit Anti-Hero earned the reputation for being the video with the most easter eggs, Girls’ Generation‘s video for their comeback single, Forever 1, couldn’t be far behind. The number of tributes and hidden meanings behind the images in the video can rival the number of Hidden Mickeys the Disney Channel used to show in a day! The good news is, it doesn’t even take a true-blue (make that true-pink) SONE to notice a good number of them — yep, that’s how SNSD has ingrained itself in K-pop culture that even casual fans can recognize the references.

Here is a list of all the easter eggs that may be found in GG’s Forever 1 music video. But here’s a disclaimer: As much as we tried to catch all the references, there will always be misses that more eagle-eyed SONEs have and will point out. Don’t say we didn’t try, though!

That sounds familiar…

We’re not even into the video yet, and SONAR-eared SONEs already pointed out that the melody at the start of Forever 1 is definitely the opening keys for Into the New World. Speaking of the girls’ debut song, we have to mention that the track is produced by longtime SM composer and producer Kenzie. Yes, exactly the same Kenzie who also worked on their debut song fifteen years ago. So, it does make sense that this musical easter egg is not just some forced connection, as the girls themselves verified it in the last episode of their latest reality show, Soshi Tamtam (2022). 

And we’re not even 10 seconds into the video (the song, even) when we spot one of those tell-tale “You know you’re watching an SNSD song when…” signs. It is none other than the signature Tiffany English line.

And so, for Forever 1, after eternal center Yoona identifies our emotions as “It’s love, it’s love,” our American girlfriend declares, “We’re not stopping.”

When Fany says we’re not stopping, there’s no question we are not. On to SNSD‘s silver, golden jubilee! We’re not stopping because duh, SNSD is FOREVER! It’s in the title, come on! 

The nods to scenery, outfits, and sets!

If you’re looking for references and nods to previous SNSD music videos (all of which are quite iconic in the own right), Forever 1 is rich and teeming with them! Here’s some we saw:

Pink and bright sky blue is definitely a nod to the Party music video. Not that there is that exact color combination in the Party music video, but most of the beach and pool (swimming, not the game) scenes have the blue water and sky background, coupled with the giant inflatable pink flamingo and lifesavers Yuri and the girls play with. Tiffany’s plane scenes also give a beginning of the Party music video vibe, although that can already be considered a bit of a stretch, as the center of that plane scene in Party was Sooyoung. 

The group dancing scenes outside the cinema are definitely a throwback to the Paparazzi music video. Not to mention the red-carpet walking and brushing off the paparazzi shots, although the girls, particularly Sunny are noticeably friendlier towards the red-carpet staples in the Forever 1 version. Plus, they are not wearing trench coats and shiny black and red outfits, as the wardrobe theme for these scenes calls to mind the sparkly-er, jewel-tone outfits of the iconic Gee and the criminally underrated Holiday/All Night era. 

The slo-mo scenes of the girls in the bridge are a throwback to the intro of the music video to The Boys, with golden confetti replacing the shower of rose petals. Only trophy lifting for this one instead of dove releasing because a) there’s no more dove and b) dove releaser left the group in 2014. 

A gritty dark alley with torn posters that serve as the background to Yuri’s modeling segment gives out that distinct Catch Me If You Can vibes. Can be considered a stretch, but then don’t we live for these itty-bitty nuances?    

The choreography in the bridge interspersed with the slo-mo shots is very reminiscent of the choreography in Holiday, one of the rare instances that the girls dance in a single horizontal file.  

The countless appearances of the number 15 (e.g., Stage 15, 15 in the layered stage resembling a cake where the girls are filmed in the singing segments), conjuring the group’s 15th anniversary, as if we need a lot of reminding.

Started from looking for the new world, now we here

The music video is no doubt a sort of continuation of their music video for Into the New World. While their debut music video showed them working on hobbies or interests (e.g., fixing and painting a bike pink for Fany, breaking in a new pair of sneakers by dancing in a deserted stairway for Hyo, flying a plane for Taeyeon, etc. etc.), Forever 1 shows our girls as fully realized women who are continuing to pursue their own thing and living their own lives while still being there for each other and the fans because, duh, we are forever! We then have references for the current gigs of each member:

Taeyeon main vocal!  

Our kid leader is seen in her solo scenes on a stage surrounded by musicians with cabaret feels, which is also much like Sooyoung’s individual scenes in All Night (remember where she sings in what looks like a lounge and Yuri stops and gets starstruck at the sight of her?). Obviously, this is a reference to Taeyeon’s immensely successful career as a solo artist. From I to INVU, Taeyeon has repeatedly proven that she is not only one of K-pop’s best girl group vocalists but one of Korea’s best vocalists, full stop. 

Our happy vitamin in a stretch limo

Among all eight GG members, Sunny has been the most inactive in terms of a music career. Quite unfortunate really, considering that she is one of the group’s four main vocalists (SNSD main vocals = TaTiSeo + Sunny). As far as we can remember, her last singer activity outside GG (and Oh!GG) was a duet with former SM labelmate Henry. The Forever 1 music video recognizes this, as it showcases our mood setter’s thriving career on TV with her multiple variety show gigs. 

Our jet-setting American girlfriend

On the other hand, we have our sparkling Tiffany, who has kept herself busy from the get-go when she left SM Entertainment in pursuit of a more international career. After releasing a full-length album featuring tracks all in English, she returned to Korea as a judge/mentor in Girls’ Planet 99 and as Roxie Hart in the Korean adaptation of the musical Chicago. In the music video, Tiffany is seen on a plane, with multiple staff members handing over the documents of her upcoming projects, which shows that these days, Fany is taking full control of her solo career.

How multi-faceted can our main dancer be?

Ever the most multi-faceted member of SNSD, Hyoyeon has been a champion speed skater, a reality competition contestant, a fur mom, and obviously, a dancer. But when you look at the girls’ career trajectory, next to Taeyeon, our dancing queen has been the most active in the music industry as a member of both Oh!GG and Got the Beat, but also as a DJ. In the forever video, we can see DJ Hyo living her best life behind the DJ booth, and we can’t wait for more banging releases after Dessert, Minute, and Deep. 

Black pearl supremacy

SNSD‘s black pearl Yuri has kept a balance between her singing career and other ventures. While she has also released other music as a solo artist with the release of her solo EP The First Scene in 2018, she is also a part of Oh!GG. Apart from this, she has amped up her CF modeling career and revitalized her promising career in TV dramas. After all, she was a part of very popular dramas like Fashion King (with Yoo Ahin and Lee Jehoon) and Local Hero (with Park Shihoo) but she somehow took a break from acting in 2018 (maybe to focus all her energies on promoting her solo release) until her recent turn in the historical drama Bossam.  In the music video, Yuri is getting photographed at what appears to be a modeling gig.

Our iconic lady in a red dress

Even during the peak of GG supremacy, Sooyoung had already started a career in acting with appearances in The Third Hospital and Dating Agency: Cyrano. After her departure from SM after the All Night/Holiday comeback, she went full throttle with her acting career with plum parts in high-profile dramas such as Run On (with fellow idol-turned-actor Im Siwan) and If You Wish Upon Me (which actually went up against Yuri’s Good Job in its timeslot. And who can forget her much-publicized appearance as the lady in red in the red dress in the 2020 MAMAs? The Forever 1 music video has SNSD’s sassiest member signing autographs and taking pictures with fans, a nod to her successful life as an actress.

The nation’s center

Our eternal center Yoona has inarguably built the most successful career outside of music among the Girl’s Generation members. With high-profile appearances in high-rating dramas and movies such as The K2 (with Chang Jiwook) and this year’s Big Mouth (with Lee Jongsuk). Yoona is reflected in the music video as an actress, with one scene seeing her about to be devoured by a monster with tentacles on the background screen, which may remind people of her first lead movie role in the wildly successful disaster flick Exit where she was seen jumping off buildings to avoid a deadly gas attack with Jo Jungsuk. 

Maknae on top

Our maknae has already built a solid reputation as a stage musical actress with her appearances in Moon Embracing the Sun and Mamma Mia! even during her active years in SNSD pre-2018 hiatus. When she left SM Entertainment, she pursued an acting career with other agencies and has so far appeared in major projects such as Time and Love and Leashes.  In the Forever 1 music video, she is seen on a theatre stage with an elegant backdrop, which definitely calls to mind her Scarlett O’Hara stage role.

Admit it: there’s nothing more fun for SONEs to do than to analyze GG music videos frame by frame! Hopefully, the next time we do this won’t be too far in the future. Knock on wood the next time we do this won’t be in 2027 for SNSD’s 20th anniversary but sooner!

Featured Image Credit: Girls Generation  Official Twitter