Mamamoo is known for their vocal prowess and their jazzy, retro-infused sound not commonly found in the K-pop scene. Since they debuted in 2014, the quartet continuously released hits that ranged from energetic to theatrical to soulful.
In the seven years since their debut, Mamamoo has firmly established themselves among K-pop’s vocal powerhouses. And when singer-rapper Hwasa sings “I’m ready for some action / Are you ready for perfection” in her deep and sultry voice for Piano Man, you know she’s just spitting out truth bombs about their music, which makes their latest release even more exciting for Moomoos.
On September 15, the ladies dropped their first compilation album, I Say Mamamoo: The Best. This is the group’s first album after Wheein left RBW Entertainment and signed on with TheL1VE. The 23-song album features remixed and re-recorded versions of their hit songs and popular B-sides. It also includes two new tracks: lead single mumumumuch and Happier Than Ever.
[#마마무]
[I SAY MAMAMOO :THE BEST]
앨범 발매 및 MV 공개✔우리 무무 여러분 각 음원 사이트에서
많은 감상 부탁드립니다🙌🏻💙📍 Melon
🔗 https://t.co/cpxTQuILSg📍 MV
🔗 https://t.co/ay5CtmGPC5#Mumumumuch_OutNow#MAMAMOO #하늘_땅_바다만큼 pic.twitter.com/sdYILersow— 마마무(MAMAMOO) (@RBW_MAMAMOO) September 15, 2021
I’ve always enjoyed Mamamoo’s music, and for the most part, I was pleasantly surprised by this album. The lead single, mumumumuch, is a light disco track that makes for easy listening and has echoes of their signature sound. To be honest, I was expecting their title track to have that hard-hitting, let’s-bring-the-house-down energy that makes full use of their formidable pipes. But my personal thoughts aside, I can say it’s still a good song.
The ladies promised a fresh spin on their most popular songs, and they delivered. Their re-recorded version of Piano Man turned up the sensuality, while Decalcomanie, Mr. Ambiguous and You’re the Best ramped up the jazzy, big band sound that’s rare in K-pop. Even their 2021 versions of A Little Bit, Wind Flower, and Words Don’t Come Easy sounded clearer, fresher, and had more depth.
Hip, Mamamoo’s clapback for their haters, gets an even more energetic re-do in the remix version, while Gogobebe’s tropical sound gets a rock-infused makeover. My personal favorites, though, would have to be the orchestra versions of Starry Night and Paint Me. The originals already showcased the foursome’s vocals, but the use of strings and the piano gave the rearranged tracks added drama and intensity.
Overall, the album showcases the group’s versatility, reminding everyone that Mamamoo can own every genre they try and must not disband. This album is an excellent introduction to those who are just discovering them, and a beautiful present for the group’s loyal fanbase.
Mamamoo’s discography is timeless, and this compilation album proves that their songs will stay on Moomoos’ and casual fans’ playlists—mine included—for a long time.