Category: LATEST STORIES

Categories
FEATURES LATEST STORIES

Knowing IU’s First #1’s: The Five Songs That Capture Her Rise

Kpoplife- IU - twitter

Korean singer-songwriter IU has released, as of October 19, another single that has been anticipated to break records anew. And she did that without breaking a sweat as the new song, Strawberry Moon, has reached the top position in MelOn and Bugs (both daily and real-time charts), Genie (real-time and #5 in daily charts), and FLO (which only has real-time charts) HOURS after its release. Yes, it didn’t even take a day for her to be numero uno!   

In celebration of her nth #1 song (seriously we’ve lost count, although a quick Wiki search may give us 17 Gaon #1s), let’s check out the first five songs that got Ms. Lee Jieun on the top of Korean music charts.  

“Nagging” ft. Lim Seulong (2010)

IU wasn’t exactly a breakout hit when she started her career in 2008. She was 15 years old then, and debuting as a solo artist at 15 was not something that was common. Even now, idols who debut early are usually part of groups and reap the benefits of having a broader fanbase before launching their solo careers. Even K-pop legend BoA had to start her career in Japan first before getting recognition in her own country. IU released some singles that didn’t really accelerate her rise to stardom, before finally making it big two years later.

And how! Her first song that went to #1 on the Gaon Chart was actually a duet featuring 2AM‘s Seulong. It might be argued that the song became a hit because of Seulong, so IU can’t really take full credit for it. However, for a female soloist to have a #1 song after only two years on the business is already quite an achievement. The non-album single went on to sell more than 3 million copies, so we can safely say that Nagging was the start of her career’s rise. 

Unfortunately, there is actually no official music video released for Nagging, although Seulong and IU have performed it live in music shows, which means the couple did promote the song when it came out. This is quite interesting because IU is not a JYP talent and yet, JYP Entertainment allowed Seulong to participate in the song’s promotion. 

 

Come to think of it, this may be JYP’s (as in the company’s former CEO Park Jinyoung) way of showing remorse. After all, IU did audition for the company and got rejected. JYP’s former CEO was later vocal about his regret as he thinks of IU as the one talent who got away. Nagging brought IU and Seulong their first music show win in Inkigayo, where she won the trophy on the show’s June 27, 2010 episode. They also won two other trophies in Music Bank. The Nagging wins were also among Seulong’s first music show wins.   

Aside from JYPE rejecting her, IU was also rejected nineteen other times by other entertainment agencies before LOEN Entertainment (now EDAM Entertainment) signed her.

“Good Day” (2010)

If there were still doubts that IU was going to make it big even after her first number 1, they were eventually silenced six months after Nagging’s release as she dropped her third EP Real with the iconic single  Good Day. Yes, it’s that song that people attempt to sing on everything from variety shows to audition survival programs because of that oxygen-depleting IU rendition of the line “I’m in my dream” with three key changes. 

This song cemented IU’s place in K-pop as she amassed new fans with the song. Moreover, she also recorded a Japanese version of the song, which reached a top 5 position in the country’s Oricon Charts. In her home country, she managed to outsell her first #1 song, as Good Day sold a total of close to 4.5 million copies. 

The music video for this song is arguably one of IU’s most known. It starts off with IU visiting a general shop with her pet, a giant parrot. We discover that she actually has a huge crush on the shopkeeper and is thinking of ways to get his attention. But then, her giant parrot began saying, “saranghaeyo oppa.” 

And that’s just the first 30 seconds of the video.

So we see IU through the rest of the video overanalyzing things, with singer-pianist Jung Jaehyung making random appearances in her house. The dance sequences are cute, of course, and if you notice, her dancers on this video are the dancers she features on her music videos and concerts up to now. Talk about loyalty!

Anyway, the video ends with the shopkeeper going to IU’s house, with IU expecting him to confess as well. Alas, he only returns the parrot who outed her. But no, IU goes after her oppa and hugged him from behind, but shopkeeper oppa turned around and only patted her head. 

If that’s not a rejection move, then nothing is. 

So, IU sings the last lines of her song while looking out on her window and catching falling snow. On the other hand, shopkeeper oppa takes one final look back at IU’s direction before walking back to his store. Will shopkeeper oppa notice her in the future? Only time will tell. 

On the music video for the Japanese version, the general store is replaced by a violin workshop, with shopkeeper oppa replaced by a violinmaker. Japanese violinmaker oppa doesn’t really mind IU Japanese version’s obvious flirtations as he goes about his day polishing wood and doing the usual things violinmakers do. He also has a pet parrot, while IU has a smaller green parrot who doesn’t pre-empt her confession. Instead, the green parrot gave her a set of keys that may open the violinmaker’s bedroom. Creepy, right? Well, considering shopkeeper oppa just barged in IU Korean version’s room to return her talkative parrot, getting access to the room of someone you like may not be a huge issue in IU’s music videos.

Anyway, IU Japanese version sneaks into the room that looks more like a greenhouse but contains violinmaker oppa’s personal effects, including what looks like a diary or notebook, which IU reads with creepy gusto. Alas, violinmaker oppa catches her, takes away the notebook from her, and… pats her head. As in the same thing shopkeeper oppa did upon receiving IU Korean version’s back hug. 

I guess both Japanese and Korean oppas didn’t see the nation’s little sister as a woman yet, even with three key changes and a line that was sung for 10 seconds in one breath.   

“Only I Didn’t Know” (2011)

Taken from Real+, which was the reissue of IU’s 2010 Real EP.  This 2011 song became the third song of IU to take the top spot in the Gaon charts. The single reached more than 2.9 million sales, while Real+, the EP, where the song came from, reached close to 24,000 copies in sales. The Japanese version of this song is so far, IU’s only #1 in the Billboard Japanese charts. 

The music video that accompanied the song’s release features IU wearing a black dress and singing the song while splayed on the floor, crying. 

 

“You And I” (2011)

The title track from IU’s second full-length album Last Fantasy, “You and I” was quite historic as it reached No.1 not only on Korea’s Gaon, but was also her first song that charted in the US Billboard World Digital Songs charts, where it peaked at number 3. You and I is also a very important song in IU’s career because up to now, it still is her highest-selling single in Korea with over 6 million units sold.

As for the music video of the song, two versions were released – the main version and a performance video, both getting more than 30 million views. The main music video has a quirky storyline with matching locations, including what seems to be a clock tower and a train. It’s in the clock tower where IU seems to live, where ironically, she also looks like a watchmaker while taking care of a boy who looks like he’s in a coma. Well, she has tried everything from drawing something on his wrist to tickling him with a feather she got from her pet goose (Oh, IU and her penchant for weird pets – remember her talkative bird who outed her with her oppa in Good Day?) 

In the middle of the video, IU finishes making what looks like a cog which she uses inside a booth that looks like a TARDIS in Doctor Who. The moment she gets the machine in the booth to work, it looked like she time travels until Mr. Comatose wakes up. However, Mr. Comatose wakes up, approaches the time machine booth, sees IU, and cries. Beats me what that was about. 

Cut to the last scene where apparently, IU is this saleslady in a jewelry or gift shop where she sells something to Mr. Comatose who doesn’t recognize her until he was halfway out the door. It seemed like he remembered something, looked at IU, and flashed a smile, while our girl gave an “I thought you’d never remember me” look back. End of video. 

“Every End of the Day” (2012)

This song from Spring of a Twenty Year Old, IU’s 3rd single album (and her 2nd Korean one) sold 3.2 million copies getting to No.1 on Gaon in May 2012. The song also topped the Billboard Korea K-Pop Hot 100 a week after it was released internationally. The music video for the song is actually a featurette that included a short interview and behind-the-scenes footage of the video shoot, where IU is in some foreign country buying fruit, getting drenched in the rain, playing her guitar beside a canal, and riding a ferry while remembering some guy. 

Stay tuned for more IU #1s!

Featured Image: IU Official Twitter

Categories
FEATURES LATEST STORIES VARIETY

Where are the SIXTEEN Contestants Now?

In 2015, JYP Entertainment got into the craze of shows where idol hopefuls compete for spots in a group that will be debut after the program’s run. JYP, in collaboration with Mnet, produced SIXTEEN, where sixteen trainees had to compete against one another to secure a spot in a girl group, which before the show ended, was revealed to be named Twice. The sixteen contestants were assessed with the usual prerequisite skills of singing and dancing, as well as their personalities and their charisma. For ten episodes, the sixteen trainees duked it out on several challenges, with JYP Entertainment’s A&R team and Park Jinyoung deciding who would compose the “major” and “minor” groups.

This is where the initial controversy with the show started, as the contestants who were classified in the “Major” group were given better treatment, including living in a better dorm (at least for a week), having mentoring sessions with then-current JYP idols, having a van to take them to the show’s shooting locations, and finally having prime training time from 9 in the morning to 9 in the evening. On the other hand, contestants appointed to the “Minors” group had less than stellar living conditions and only had access to the company’s practice room from 9 in the evening until 9 the following day. If that’s not emotionally abusive and sheer cruelty to the contestants who only want to realize their dreams of stardom, then nothing is!

If that’s not enough, controversy pursued the show until its final episode when two contestants who have been eliminated were eventually included in the final line-up for Twice. Momo, who was eliminated in the 4th mission and Tzuyu, a contestant who made it to the final episode but was not chosen to be part of the debuting group but was brought back because of fan opinion, somehow found their way to the final group. 

Moreover, it was weird how some contestants like Natty and Somi, who were designated to the Minors group only twice (pun not intended) throughout the show’s ten episodes, not only ended up getting eliminated in the final episode, but were also not considered at all for the final line-up. The reason: JYP said they were a bit too young to debut.  That’s confusing, considering Hyuna debuted with Wonder Girls at age 13 and Suzy debuted with Miss A at 15, and Tzuyu was only a year and nine months older than Somi. 

Anyway, those dissenting opinions regarding already-eliminated contestants getting a second chance at the expense of better-but-“underage” contestants were only countered by a statement the company released after the show’s finale:  “We apologize for failing to clearly communicate the selection process, and we’d like to explain it in detail once again. The condition to be chosen as a final member was the votes made by the audience and viewers. However, leading up to the final episode, we thought that the seven members selected officially may leave something to be desired. So, in addition to the seven, we decided that one member would be added solely from the viewer’s opinions (Tzuyu) and one from solely Park Jin-young’s opinion (Momo).”

A bit fishy, yes? 

After the program, the nine “winners” of the contest – Jeongyeon, Nayeon, Mina, Sana, Dahyun, Jihyo, and Chaeyeong, plus the two added on the final episode, namely Momo and Tzuyu, debuted as Twice and released their first single “Like Ooh-Ahh” on October 20, 2015. Immediately after the show, Jiwon, who was eliminated in the showcase episode, decided to leave JYP Entertainment. 

Also read: The fun relationship of JYP and Twice’s Dahyun

After Jiwon, Minyoung also left JYPE. In an interview with news site OSEN, she said, “I will be pursuing my dreams somewhere else. I haven’t given up. While I was at (JYPE), I wanted to communicate with the fans, but I was frustrated because I couldn’t. I wanted to say that I got all of the gifts you sent me…I am really thankful; they were a great source of strength for me.”

Despite losing in the program, Somi was next to be in the spotlight as she competed in the Mnet reality girl group survival series Produce 101 in 2016. She eventually finished in first place and debuted with the show’s project girl group I.O.I. While Somi was at the tail-end of promoting with I.O.I, her name, along with the remaining JYPE trainees – sisters Chaeyeon and Chaeryeong, as well as Natty and Eunsuh began surfacing as probable members of a new group JYPE will debut in 2019. However, it wasn’t meant to be as Chaeyoung, Natty, and Eunsuh decided to leave the company in 2017. 

 On August 20, 2018, JYPE also announced that Somi has terminated her contract and left the company. A month later, she signed an exclusive contract with YG Entertainment’s sub-label The Black Label, where she eventually debuted as a solo artist in 2019 with her title track Birthday. Somi has since then done two comebacks with her latest, Dumb Dumb, being the most successful, and news is rife that her full-length studio album XOXO will be out very soon!

But before that, while Somi was winding up her promotions with I.O.I, Eunsuh, Natty and Jiwon competed on another Mnet reality girl group survival show Idol School. It was only Jiwon who secured a spot on the show’s girl group, Fromis 9, as she finished 6th in the show. 

Chaeyeon, the first contestant eliminated in SIXTEEN, has since then followed Somi’s footsteps as she competed in Mnet’s Produce 48, the third staging of the Produce 101 program, where she represented WM Entertainment (home to B1A4 and Oh My Girl). She finished in 12th place, securing her a spot in the show’s project girl group, Iz*One, which debuted in October 2018. There’s still no news about the continuation of her singing career, whether she will promote herself as a girl group member or a soloist. She is currently a contestant in Street Woman Fighter, another reality competition, this time featuring all-girl dance crews. Fans are a bit concerned about the treatment of her by other dancers on the show, who dismiss her as an idol rather than a serious dancer. Others speculate that she is just undergoing the usual Mnet character development of a contestant who has many disadvantages at the start of the competition but leaves her underdog image behind towards the end of the show.  

In 2020, Natty finally debuted as a solo artist after signing with Swing Entertainment with the single Nineteen.  She has since then released another single in November entitled Teddy Bear. She has yet to resume promotions this year.  

After quitting JYP Entertainment, Minyoung seemed to have given up on being an idol. She has been working at an international school and has since gotten back in the spotlight earlier this year with the launching of her YouTube Channel, where she has posted her own music compositions, song covers, and vlogs, including, of course, some insider info of her time in Sixteen.  

After joining Idol School, we haven’t heard a lot about Eunsuh. She got embroiled in a social media tiff after a Facebook account with her name left a shady remark on Somi’s video where she covered Sunmi’s Gashina. She claims that the account is actually a shared account among her friends who don’t have a personal account (most probably because they’re not of legal age yet) and that particular comment was left by one of those sharing the account. She vowed to leave that account and not use Facebook and Facebook Messenger anymore. As for her other social media account, her last Instagram post was in September last year. 

Finally, loyalty and persistence have paid off for Chaeyeon’s sister, Chaeryeong, who is the only JYP trainee who didn’t get a spot in Twice but chose to remain with JYPE. She finally debuted as a member of the company’s new girl group, Itzy, in February 2019.

So, we can conclude that the entire SIXTEEN alumnae body has somehow been successful. Twice even released a comeback album, Formula of Love: O+T=<3, in 2021. Now, only if we can have more updates regarding Eunsuh, a new Natty comeback, a successful Somi album, and for Twice to have better songs, then the OG fans can be happier. 

Featured Image: Photo: Twice/Twitter

Categories
K-POP ARTISTS LATEST STORIES SUPER JUNIOR

An E.L.F’s Thoughts on Super Junior–D&E’s Countdown

A still from 'Zero'.

Super Junior’s Donghae and Eunhyuk have been making K-pop fans dance to their bops since 2011, so it’s surprising to realize that they haven’t actually released a full Korean studio album—until now! But as the saying goes, good things come to those who wait, because this gem of an album was definitely worth the wait. 

On November 2, the D&E sub-unit finally dropped their first full album, Countdown. The album contains 10 tracks—nine in Korean, and one in English—and showcases a more mature sound (but still sprinkled with fun) from the duo. 

The songs in the album cover a wide range of genres—from the heavy dance track Zero, to the groovy La La La, to the pop ballad Have a Nice Day. The diverse genres in this album proves that this sub-unit can’t be boxed into just one genre of music. 

 

 The lead single, Zero, is an upbeat dance track that can be seen as a song for E.L.F. In the chorus, the pair sings, “Don’t go away to stop this story/ Even if it’s filled with scars/ Without you, without you I’m zero.” I feel that it’s a song that conveys the duo’s (and Super Junior’s as a whole) thoughts toward their loyal fans—that they would not have been able to go on for this long without E.L.F.’s love and support. I also personally think Zero is a good song. Maybe it’s not on the same level as the sub-unit’s superb 2015 track Growing Pains, but I’m pretty sure Zero will be on my SJ on repeat playlist.  

 

Beautiful Liar was a surprise. The song’s opening bars sounded like it was going to be a soft dance track, but then the chorus suddenly became more energetic. It jarred me a bit on the first listen, but this song is growing on me. The pair then sings about wanting to go on a vacation in Far Away, and it does sound like the perfect song to listen to on a trip! It’s the kind of song you put on when you’re spending a chill day on the beach. The vibe turns sentimental and emotional with Have a Nice Day and Home, balanced with the smooth and bright tracks Muse and Share my Love. 

My favorite song from D&E’s latest release, however, is oddly not included in the album track list. Eunhyuk’s pre-release single, Be, is a nice emotional track that shows off the main rapper’s lovely vocals, for a change. I see Be as an ode to Eunhyuk’s younger self, encouraging him to never give up on his childhood dreams. I find the choreography in the M/V beautiful as well.   

 

  Overall, this album is musically diverse but still cohesive. It clearly shows the duo’s passion and commitment to their craft, which contributes to their staying power in the K-pop scene. This album is a great way to mark the sub-unit’s 10th anniversary. 

As a final note, in Super Junior’s YouTube live broadcast on the eve of the full group’s 16th anniversary, the members mentioned that they are preparing loads more content (albums? Variety shows? Concerts? I’m sure all E.L.Fs like me would be more than happy to get quality content from these fine men!) in the coming months. With these men releasing quality content like the Countdown album, Super Junior D&E—and the rest of Super Junior—will truly be the last men standing. 

Featured Image: Screen capture from Super Junior–D&E’s Zero MV. Photo: SMTOWN/YouTube
Categories
FEATURES K-POP ARTISTS KPOP NEWS LATEST STORIES

Five Amazing Boy Group Concepts That Left Fans Wanting More

Picture credit: Youtube

K-pop music videos are always a delight to watch, not just for the music and the awesome choreography, but also for the concepts that will leave you in awe! Here we list down five unforgettable boy group concepts that had many fans clicking on the replay button.

School uniform

The school uniform concept is often used in idol group comebacks, but it’s the one theme that fans never tire of. It may be common in K-pop, but each group has put their own spin on it to make it fresh, fun, and unique! EXO brought this concept back into the spotlight with their music video Growl. (Fun fact: this music video was shot in one continuous take!)

BTS in their rookie years nailed the high school bad boy look in Boy in Luv. In the MV, the members act tough to try to get a girl’s attention. The boys also don school uniforms in their follow-up single Just One Day, which showcased a lighter, more mellow vibe.

Astro are portrayed as manhwa characters in their music video for Confession. In the video, a high school girl draws the members, and the boys come to life and start following her around as she goes about her life. And, Seventeen are cheeky schoolboys trying to impress girls in their MV for Mansae. 

Dark

This concept is masterfully brought to life by the undisputed concept kings—VIXX. Voodoo Doll’s heavy, intense beats paired with macabre imagery resulted in a music video so shocking, the group had to release a “clean” version. In the original MV, a woman used a voodoo doll to control and torture the members. The group’s music video Hyde also fits this concept well.  

SHINee’s Married to the Music is much less gruesome but hiding behind the cheery music and colorful visuals is a video where a series of unfortunate events happened to each group member while at a party. Meanwhile, their SM hoobaes, NCT127, ran with the vampire concept in their most recent release Favorite (Vampire). 

Block B capitalized on people’s fear of clowns and deserted theme parks in their MV for Jackpot. Rookie boy group Enhypen also joined the horror concept train with Drunk Dazed, featuring the members having drinks spiked with blood and dancing in a literal bloody shower. 

Check out the other music videos that have gone over to the dark side in our Halloween-themed K-pop MVs article.

Literature/Mythology

Global superstars BTS are known to tell stories through their music and reference literature in their albums. In Blood, Sweat & Tears, from their second full album Wings, BTS references the themes of temptation and growth, reality and illusion, and good and evil. The song—the entire album actually—is based on Hermann Hesse’s novel Demian. In the MV, RM even narrated a quote from the book: “He too, was a tempter. He too was a link to the second. The evil world with which I no longer wanted to have anything to do.” 

VIXX’s Scentist, a portmanteau of “scent” and “artist,” portrays the members as perfumers. The lyrics and the music video led many Starlights to believe that the MV is inspired by the 1985 German novel Perfume: The Story of a Murderer by Patrick Süskind. The concept kings also released a trilogy of songs inspired by Greek Mythology in their 2016 Conception project. The first of the series, Dynamite, was based on Zelos, the Greek god of jealousy. The second track, Fantasy, drew on Hades, the Greek god of the underworld. Rounding off the project is The Closer, inspired by Kratos, the divine personification of strength.

Super Junior’s Ryeowook took inspiration from Antoine de Saint-Exupéry‘s The Little Prince in his solo debut song and album of the same name. The music video is chock-full of references to the novel, and the lyrics tell the story of a heartsick man in a conversation with The Little Prince. 

Sci-Fi

EXO’s entire group concept is one big sci-fi universe. From their origin story in MAMA to fighting the Red Force machine in Power; battling against their sinister alter egos in Obsession and journeying through space in Don’t Fight the Feeling, they have consistently expounded on their rich storyline that keeps EXO-Ls hooked. Bonus: they also have a song called Lightsaber, a collaboration project with Star Wars! 

Bigbang has also dabbled in the sci-fi concept. In their music video for Monster, the members portrayed genetically modified beings trying to escape a ruined facility. And an ill-fated love story in the far future is the setting for VIXX’s Error. In the music video, Hongbin recreates a cyborg version of his lost love, only for both of them to meet a tragic end. 

Retro

Vintage has its charms, and K-pop groups know it! Idols have taken their cue from the catchy tunes and styles of the past and molded them to fit current music styles. 

BTS channels 70’s disco-pop in their feel-good record-breaking hit Dynamite. The group went on full throwback with a colorful video with retro-themed outfits, choreography, and sets! Seventeen also swings back into the past with Home;Run. The boys danced their way around an old-fashioned movie theater, a vintage train, and an old-school bowling alley in retro-inspired garb. 

Second generation Kpop legends TVXQ sends fans back to the roaring ‘20s with their jazzy hit Something. Bright lights, brass instruments, and intricate choreography add to the MV’s theatrical vibe. Finally, NCT U throws it back to the ‘90s with ‘90s Love. The song jumps right into the newtro trend, defined as adding a contemporary twist to the retro style. In the music video, the boys battle it out on the hockey rink—has anyone got The Mighty Ducks flashbacks? 

With these (and more!) concepts to play with, male idol groups will never run out of stories to tell through their music! Which male idol group concept is your favorite?  

Featured Image: A still from TVXQ’s “Something”. Credit: SMTOWN

Categories
BTS FEATURES LATEST STORIES VARIETY

5 Books Read by K-Pop Idols to Add to Your Reading List

RM, BTS's resident genius, reads "A Bigger Message: Conversations with David Hockney" by Martin Gayford" while preparing for a performance.

One might think that with their super busy schedules, idols won’t have time to even crack open a book. But, it turns out that there are a lot of bookworms among idols—and they love recommending new reads to fans! Check out these K-pop idols’ book recommendations, what they have read, or were spotted with:  

K-pop idols’ book recommendations 1: I Decided to Live as Me by Kim Soo Hyun

Read/recommended/spotted: BTS’s Jungkook

A collection of short essays, filled with nuggets of wisdom, seems to have intrigued BTS’ Jungkook.

Have you ever felt overwhelmed as you took your first steps into adulthood? Or maybe you’ve had days when you felt lost, insignificant, or worthless? Try reading I Decided to Live as Me, a collection of short essays by Kim Soo Hyun, to soothe your worries. The book is filled with nuggets of wisdom such as, “The person that you always have to respect is no one else but yourself.” This blunt, no-nonsense self-help book (peppered with cute illustrations that break up the seriousness of some of the topics) teaches important life lessons that will empower everyone to accept themselves for who they really are and live well. 

BTS’ golden maknae Jungkook was seen packing this book in his bag in the group’s travel variety show Bon Voyage season 3. Sales of the book increased almost immediately after the show was aired, as ARMYs became interested and began reading and recommending it to friends. 

K-pop idols’ book recommendations 2: Almond by Sohn Won Pyung

Read/recommended/spotted: BTS members RM, Suga, and J-Hope

Leader of BTS, RM often recommends the books he read and loved to ARMYs. And this one is RM approved!

The BTS members are certified book lovers! Leader RM, in particular, often recommends the books he read and loved to ARMYs. One such RM-approved book is Almond by Sohn Won Pyung. The story revolves around Yunjae, a boy born with a brain condition that makes it difficult for him to feel strong emotions like fear or anger. When he personally experiences violence and loss, he struggles to cope, until he forms a surprising bond with a new friend. It’s a touching story about growth, friendship, and love, all wrapped up in a slim volume.  

RM read this book at BTS In the Soop. Fellow members Suga and J-Hope were also seen reading the novel in the show. 

K-pop idols’ book recommendations 3: Sapiens: A Brief History of Humankind by Yuval Noah Harari

Read/recommended/spotted: Super Junior’s Kyuhyun

This hefty, 400-plus page non-fiction book was ready by Super Junior’s Kyuhyun

Super Junior’s maknae and resident genius, Kyuhyun, also likes to indulge in reading during his downtime. One of his more recent reads is Sapiens: A Brief History of Humankind by Yuval Noah Harari. This hefty, 400-plus page non-fiction book dives deep into the history of the homo sapiens—us, modern-day humans—and their motivations, innovations, and need for self-preservation. The idol brought this book with him to a solo staycation, as seen in his KYU TV channel on YouTube. 

Watch Kyuhyun’s staycation video below: 

K-pop idols’ book recommendations 4: Kim Ji Young, Born 1982 by Cho Nam Joo

Read/recommended/spotted: Red Velvet’s Irene

Kim Jiyoung, Born 1982 by Cho Nam Joo is the story of Jiyoung, a 30-something year old woman, and her daily struggle against gender discrimination that’s present in every aspect of her life. This takes a toll on her mental health, and she slowly descends into madness. It’s a sobering story tackling pervasive misogyny, societal oppression, and what it means to live life as a woman. 

Feminist book Kim Jiyoung, Born 1982 landed Red Velvet’s Irene in hot water.

Red Velvet’s Irene revealed in a fan meeting that she read the thought-provoking book, which got her into hot water with male fans. The book is branded as a “feminist” book, and some anti-feminists in Korea perceive the novel as inciting contempt for men. Netizens even posted photos of them cutting and burning Irene’s photocards after the event. 

Other idols who have read the book include BTS’ RM and Girls’ Generation’s Sooyoung. 

K-pop idols’ book recommendations 5: The Devotion of Suspect X by Keigo Higashino 

Read/recommended/spotted: EXO Kai

EXO’s main dancer said The Devotion of Suspect X by Keigo Higashino made a huge impression on him.

EXO’s main dancer Kai named The Devotion of Suspect X by Keigo Higashino as a book that made a big impression on him in the KBS program The Human Condition. The Japanese crime novel tells the story of meticulous math teacher Ishigami and his neighbor Yasuko, a divorced mother. When Yasuko’s abusive ex-husband drops in at hers and her daughter Misato’s home unannounced, a fight ensues that ends in the ex-husband’s death. Ishigami offers to help cover up the crime, which results in a high-level cat-and-mouse game between the teacher and the detective in charge of the case. 

Which of these books will you add to your list of must-reads? 

Featured Image: RM, BTS’s resident genius, reads “A Bigger Message: Conversations with David Hockney” by Martin Gayford” while preparing for a performance. Photo: BANGTANTV/YouTube
Categories
FEATURES KPOP NEWS LATEST STORIES SUPER JUNIOR

Standout Sub-units in K-pop

Picture credit: official site

A sub-unit is a smaller group, usually around two to five members, formed from a larger group. Sub-units usually release music and concepts that have a different vibe from the main group. Forming sub-units also allow idols to experiment with genres and aesthetics not usually embraced by the full group.  

Here are some of the amazing idol group sub-units in K-pop:   

Super Junior–K.R.Y.

Let’s be real: sub-units won’t exist in K-pop if not for Super Junior—they were the first group to introduce the concept of sub-units in K-pop. The second generation idol group introduced Super Junior–K.R.Y., made up of main vocalists Kyuhyun, Ryeowook, and Yesung, in 2006 with “The One I Love” from the drama Hyena original soundtrack. The trio continually recorded several drama soundtracks, as well as beautiful ballad tracks. In 2020, they released their first EP, When We Were Us. 

Listen to Super Junior K.R.Y’s “When We Were Us” from their EP of the same name: 

 Super Junior–D&E 

Super Junior D&E is the fifth sub-unit of the legendary idol group, after Super Junior K.R.Y., Super Junior-T, Super Junior-M, and Super Junior-H. The unit brought together the group’s main dancers, Donghae and Eunhyuk. The duo debuted in 2011 with the catchy single “Oppa, Oppa.” 

The talented twosome is celebrating their 10th anniversary as a sub-unit this year. They released their first full album Countdown on November 2, 2021. Watch the fun music video for their latest title track “Zero”:

Girls’ Generation–TTS 

Girls’ Generation–TTS is the girl group’s first sub-unit, composed of main vocalists Taeyeon, Tiffany, and Seohyun. The trio has released three EPs: Twinkle, Holler, and Dear Santa. The unit is currently on hiatus, as Tiffany and Seohyun have left SM Entertainment, but SONEs are still holding out for a TTS comeback!  

Watch their debut single “Twinkle” (featuring pre-debut Chanyeol, Baekhyun, Kai, and Sehun!) below: 

Girls’ Generation–Oh!GG

Girls’ Generation-Oh!GG is the group’s second sub-unit, composed of the members still with SM Entertainment: Taeyeon, Sunny, Hyoyeon, Yuri, and Yoona. The unit released their first single album Lil’ Touch in 2018. 

Watch their video Lil’ Touch below: 

 EXO–CBX 

EXO-CBX is the first sub-unit of EXO, made up of members Chen, Baekhyun, and Xiumin. The trio debuted in 2016 with the high-energy track “Hey Mama!” 

The unit is currently on hiatus as Chen and Baekhyun are still completing their military service. Their most recent release is 2018’s “Blooming Day.” Watch the music video below: 

EXO–SC 

EXO’s rapper line, Sehun and Chanyeol, came together to form the group’s second sub-unit, EXO–SC. They debuted in 2019 with their first EP, What A Life. Just one year later, they released their first full album, 1 Billion Views. Their combined album sales have already exceeded 900,000 copies, making EXO–SC one of the most successful K-pop sub-units!  

Like EXO–CBX, EXO–SC is also on hiatus as Chanyeol is currently serving in the military and Sehun is busy with his acting projects. In the meantime, watch Sehun and Chanyeol’s “One Billion Views” below while we wait for the duo to make a comeback: 

NCT

NCT is a massive 23-member group split into several sub-units: NCT U, NCT127, NCT Dream, and WayV. NCT U is a rotational unit that is formed from group members that fit a particular comeback concept. NCT127 is the Seoul-based unit that will be primarily active in Korea. NCT Dream was originally the “teenage” sub-unit with an age-based graduation system, but this system has since been abolished. WayV is the group’s China-based unit. 

NCT127 is the latest sub-unit to make a comeback with “Sticker.” The song has ten music show wins as of October 8, 2021. Check out NCT127’s “Sticker” music video below: 

VIXX LR 

VIXX LR is the first sub-unit of concept kings VIXX, composed of main vocalist Leo and main rapper Ravi. The duo’s contrasting yet harmonious vocal colors debuted in 2015 with “Beautiful Liar“. Their last comeback was in 2017 with “Whisper.” Leo is currently busy with preparations for the Frankenstein musical, while Ravi is occupied with releasing solo music, appearing on variety shows and managing his two music labels—but here’s to hoping they make a comeback soon!  

Watch VIXX LR’s “Whisper” music video below: 

BIGBANG – GD&TOP/ GDxTAEYANG

Bigbang has two official sub-units: GD & TOP and GD x Taeyang. 

Rapper duo G-Dragon and T.O.P released their first album as a sub-unit in 2010. That album yielded three singles: “High High,” “Oh Yeah,” and “Knock Out.” Their most recent single, “Zutter,” was released in 2015 as part of Bigbang’s MADE album.  

VIPs know that G-Dragon and Taeyang were originally slated to debut as a hip hop duo before Bigbang, so fans were thrilled when they paired up to form a sub-unit in 2014. The K-pop legends have only released the track “Good Boy” so far, but fans will surely keep watch for a comeback!  

RED VELVET–IRENE & SEULGI

Red Velvet’s leader Irene and main dancer Seulgi teamed up to form the girl group’s first sub-unit. The pair played up the sultry vibe with their first EP, Monster, released on July 6, 2020. 

Be mesmerized by Irene and Seulgi’s tutting in “Naughty” below: 


Of course, there are more insanely talented sub-units. There was the quirky Orange Caramel, the co-ed project groups Troublemaker and Triple H, the YG hip-hop duo MOBB, the sexy SISTAR19 and more. All of these sub-units add their own unique colors to the ever-growing K-pop scene. 

Which sub-unit is your favorite?

Featured Image: Sehun and Chanyeol of the EXO–SC, sub unit of EXO. Photo: SM Town official website
Categories
FEATURES K-DRAMA LATEST STORIES

Squid Game and Korean-Culture Hot Items Through the Years

South Korean Netflix series “Squid Game” has been the hottest thing on TV (rather, OTT [over-the-top] media services, geez this thing about Netflix and streaming platforms has everybody confused on what to call their content) these days. Imagine, a drama that is not in English has been topping Netflix’s most-watched show list. Even the streaming platform’s earlier breakout hits that are not in the English language – Spanish programs “Money Heist” and “Elite,” the French Japanese manga-inspired “Lupin,” and the German Yiddish-language “Unorthodox” cannot claim that distinction!

Just when we thought that South Korean soft power is showing signs of plateauing, our Hallyu content creatives somehow manage to churn out something that has the entire world lapping anything they produce. Like every year,  most of us Korean culture otakus who speculate that maybe this year will be the year that the Korean Wave will recede and start to decline in popularity, it is not the case at all. The thing is, I have been anticipating this since 2014, when so many scandals have hit a lot of our well-loved Korean celebrities. Not to mention that the Sewol Ferry tragedy felt like it did a huge number of the collective South Korean national psyche. But year after year, I have been proven wrong.

2015 had K-pop reawakening with a vengeance with JYP and YG debuting Twice, iKon, and Day 6, SM Entertainment finally debuted Girl’s Generation’s Taeyeon as a solo artist, and who can forget the iconic MAMA performance of 2NE1 in December of that year?

In 2016, it was Korean cinema’s turn to keep Hallyu on top with Train to Busan, A Violent Prosecutor, and The Age of Shadows establishing astronomic box office figures and Park Chanwook’s The Handmaiden and Na Hingjin’s The Wailing killing it in international film festivals and giving Korean movies more global recognition.

The age of cinema and drama

And before 2016 ended, ageless Gong Yoo, who already had a banner year starring in two of the three highest-grossing films of the year (#1 Train to Busan and #3 The Age of Shadows) and also starring in A Man and a Woman with Cannes darling Jeon Doeyeon, gifted the world with Goblin – The Lonely Shining God (Guardian: The Lonely and Great God in other countries), a TV show that would further Korean TV already-stellar year. The year was dotted with worldwide hits such as Descendants of the Sun, Weightlifting Fairy Kim Bokjoo, and Love in the Moonlight.

Since 2016 was also a banner year for TV dramas, it was also a great year for its OSTs. OST songs really dominated the Korean charts for most of the year, not just in their separate OST category, but in the main top single streaming and downloading charts as well.

The Song couple-led Descendants of the Sun was everywhere with not one, not two, not three, but FIVE songs charting high when they were released – Gummy’s “You are My Everything“, Davichi’s “This Love“, Chen and Punch’s “Everytime”, K.Will’s “Talk Love“, and Yoo Mirae’s “Always“.

Who could forget Jung Seung Kwan’s addictive ballad “If It is You“, included in the OST of Another Miss Oh which has been used countless times in singing reality competitions? We’re not even counting Goblin’s three impressive songs that were released early the following year – Soyou’s “I Miss You“, Chanyeol’s “Stay With Me“, and of course, Ailee’s modern-day classic “I Will Go to You Like the First Snow“.

One word: BTS

And what can we say about 2017 than to keep it in three letters – BTS. Out of nowhere, the group that has been considered as a nugu group with flash in the pan success internationally proved that they can also sell domestically when they released a repackaged version of Wings entitled You’ll Never Walk Alone that had songs “Spring Day” and “Not Today“. This was followed up by the group getting international exposure for the rest of the year and not looking back since then.

But we simply can’t rely on BTS to raise the flag for Korean pop culture every year, yes? Doing that will only allow people to believe that Korean soft power is a fluke since it only relies on a single entity to keep it afloat.

Once the popularity of our Bangtan Boys will wane (which of course we will never accept but, just for academic discourse, say it might be a possibility), international audiences will quickly revert to asking, “Why are there Chinese shows on TV?” when we watch K-dramas or “Is that Japanese?” when we listen to K-pop.

2018 proved that Korean pop culture is right back at the center of the world’s stage as 2NE1’s CL and EXO performed in the closing ceremonies of the 2018 Winter Olympics in Pyeongchang. On the TV front, the year cemented the arrival of two actor-dols in Astro’s Cha Eunwoo (My ID is Gangnam Beauty) and EXO’s D.O (100 Days My Prince) and yet another oppa who has shown promise in the past but broke out in 2018 with What’s Wrong With Secretary Kim? – Park Seojun.

In 2019, the world renewed its appreciation for Korean movies when Bong Joonho’s Parasite took every award there was, including American ones, which has had a history of being reluctant when it comes to recognizing films that are not in the English language.

It started with 2018’s Burning, directed by Lee Changdong and starring premiere character actor Yoo Ahin who has also proven his abilities as a lead star, and Steven Yeun, who was at that time most known as Glenn in the US TV show The Walking Dead. Burning was heaped with praises by film critics and award-winning bodies, managing to win the FIPRESCI Prize and Vulcan Award in the 2018 edition of the Cannes Film Festival. However, when it came to the biggest event, the Academy Awards aka the Oscars, the movie only managed to crack the final nine-film shortlist, but was eventually dropped off the final five nominees.

Thus, that Parasite didn’t just win the following year in the Cannes’ Palm d’Or and the Oscars’ Best Foreign Language Film and Best Picture gave the Korean film industry another full year to take the world’s center stage. The movie exposed the class divide between the haves and the have nots, with no clear protagonist or antagonist. It therefore leaves the decision on who are the heroes and villains of the movie to the audience  – the poor Kims who have managed to leech off their subsistence from a wealthy family, or the rich Parks, who seem to be distanced from the harsh realities of the world and not really caring for their employees?

As critics opined, the movie solidified the creation of a unique genre by the movie’s director Bong Joonho: not quite a drama, not quite a suspense thriller, not quite a legit black comedy, but a balanced mixture of all three elements.

The year where everyone was home

When 2020 had people thinking, this will be the year that Korean culture’s popularity will finally begin its decline, they were disappointed again. How can movies and dramas possibly be popular this year when people are not allowed to go out and watch movies in a cinema? That’s where Netflix and other online streaming platforms barged in with their promises of binge-watch-worthy content. Thus, everybody got to know the gallant North Korean soldier Captain Ri (Hyun Bin) and self-made tycoon Seri (Son Yejin) in Crash Landing on You, as well as the wronged wife Dr Ji (Kim Heeae), the philandering Lee Taeoh (Park Haejoon) and the blindingly beautiful Dakyung (Han Sohee) in The World of the Married. Both showed broke domestic and international records in terms of viewership and made household names of their actors. Both shows have also been (and still are) available on Netflix.

2020 also brought us another gem in the film world – the Korean-American co-production Minari. Although it can be argued that the movie slants more towards the American sensibilities of its director Lee Isaac Chung, the scenes and emotional tug are distinctly Korean. It even won an Oscar for Korean acting icon Youn Yuhjung, the first for any Korean actor.

This brings us to 2021, when the popularity of Korean TV shows has been further established with Squid Game’s phenomenal run. Before Squid Game, the most popular Korean export is the history zombie thriller Kingdom, which stars Ju Jihoon. With Kingdom only releasing a special episode this July and another one in the works that won’t be released until 2023, it’s safe to say that it was Squid Game that really reinforced South Korean soft power, something we fans can be happy with because this definitely means that we will be having more Korean dramas, k-pop music, and Korean movies for more years to come!

Featured image: Squid Game besties HoYeon Jung (Kang Sae Byeok) and Lee Yoo-mi (Ji Yeong). Photo: Still Watching Netflix/YouTube

Categories
FEATURES KPOP NEWS LATEST STORIES

Three (+1) Popular K-Pop Duos You Should Know

Picture credit: Bol4 official Twitter

In the world of K-pop, it look like groups have dominated for years. For every IU, BoA, Chungha, Ailee, or Sunmi, there’s at least three or five groups you can mention to prove the discrepancy in the number of successful soloists to groups. While it is true that the rate of failure among girl and boy groups is very high, the number of soloists getting their breaks in the first place is smaller.

And then, there are the unicorns of the Korean music industry: The K-pop duos. You’ll be hard-pressed to find a good number of pairs that could rival Simon and Garfunkel, Outkast, Daft Punk, or The Everly Brothers.

So, we’ve gathered them for you. And believe us when we say that knowing them is quite rewarding!

DAVICHI

Early beginnings: Any K-pop fan who has been around the block for years would know Davichi. Those who swear by K-dramas would surely know them. After all, you cannot really get through a season of K-dramas without hearing an OST  contribution from this legendary K-pop duo. Having already celebrated their 10th year in the Korean music scene in 2018, Davichi has proven their career’s longevity without resorting to a lot of tactics that most K-pop acts have used to achieve their stardom, from multi-billion-won marketing blitzes to appealing to the younger crowds. 

Formed in 2008, Davichi consists of two female vocalists Lee Haeri and Kang Minkyung. The duo’s name in Korean actually means “shining over everything”, and considering the power and longevity of these two, their names feel appropriate. 

 

Davichi’s discography as of 2021 is composed of three studio albums and six extended plays, which for a lot of observers may not be the body of work of an enduring K-pop artist. After all, their output would only mean a release every year, which isn’t really a strong showing for anyone in the Korean music industry. However, what Davichi lacks in EPs and albums, they compensate with participation in countless soundtracks. Once we consider their work in OSTs for television dramas like Big (2012), Iris II (2013), It’s Okay, That’s Love (2014), Descendants of the Sun (2016), Moon Lovers: Scarlet Heart Ryeo (2016), and Now We are Breaking Up (2021), we definitely cannot discount how extensive their career had been. 

Their debut single “I Love You Even Though I Hate You” was already a commercial success – Davichi is really no pushover. Since then, they have accumulated seven (yes, 7) number one singles and their OSTs are consistent high rankers as well. So, even if they are not exactly the textbook definition of what a “K-pop act” should be with their distance from pop sounds we’ve associated with K-pop, their unique blend of power ballads and R&B-influenced songs have cemented the duo’s place in the K-pop canon. 

Davichi debuted with their studio album, Amaranth, on February 4, 2008. As early as then, they already experienced success with their promotional track “I Love You Even Though I Hate You” getting awarded the “Rookie of the Month” award for February at the Cyworld Digital Music Awards. They promoted “Sad Promise” from the same album as their follow-up track and later released a repackaged edition of their first album titled Vivid Summer Edition, with “Love and War” as the promotional single.

Davichi’s debut year got off to a strong start as they quickly gained vast fan following and critical acclaim.  The duo has been in the industry since 2008. Photo credit: Davichi official twitter

To say that Davichi’s debut year was a success sounds about right as they did not only enjoy strong sales and radio play but also quickly accumulated a vast fan following fast and unquestionable critical favor. By the end of the year, they were the recipient of “Best New Artist” awards from the Mnet Asian Music Awards, Golden Disk Awards, and the Seoul Music Awards.

Rise to Fame: After the success of their debut efforts, Davichi was set to prove that they weren’t just the recipients of beginner’s luck. They went to the top of the charts with seven songs – “Time, Please Stop” (which featured T-Ara’s Eunjung on the music video), “Don’t Say Goodbye“, “Turtle“, “Be Warmed” (featuring Verbal Jint), “The Letter” (편지), “We Were in Love” (a collaboration with T-Ara), and “Cry Again“. 

They also have a considerable number of singles that peaked at numbers 2 and 3, and their 2021 single “Just Hug Me” reached #8. The first holiday single of their career entitled “Everyday Christmas” has reached #16 in the Korean charts as of the second week of December 2021.  

Davichi is also notoriously popular for their heart-wrenching power OST ballads, and with 14 OST appearances, you can argue they have amassed more popularity in them compared to their own releases. Arguably, the most popular among these 14 OSTs is the song “This Love“ from the 2016 K-drama Descendants of the Sun. As with many of their OST contributions, “This Love” became so popular that the duo was invited to music shows for special stages to sing the song live, something they do not commonly do with their songs, particularly their OSTs. 

By the way, aside from their duo activities, the two have also dabbled with acting. Minkyung has actually appeared as a lead actress on some K-dramas aside from singing OSTs as a solo artist, while Haeri has also portrayed lead roles in musical theatre and has become a TV personality with her participation in several musical programs. 

Must-Listens: The top two Davichi sings are OSTs, of course, with “This Love” and “Forgetting You” from the Moon Lovers: Scarlet Heart Ryeo OST. As for their releases, “Cry Again” and the breathtaking music video filmed in Budapest takes the cake.  

 

AKMU

Early beginnings: We’ve had Donnie and Marie Osmond, the Jonas Brothers, and The Carpenters battling it out for the title of most talented siblings in showbiz, but for K-pop, there can only be one: AKMU. Akdong Musician, composed of the Lee siblings Suhyun and Chanhyuk, has been a staple in the Korean entertainment scene since 2014 and have been regarded since then as the country’s premier brother-sister musical duo. Basically, anyone in Korea who doesn’t know who AKMU is met with disbelief. 

Lee Chanhyuk and Lee Suhyun did not spend a lot of their growing up years in Korea though. They lived with their missionary parents in Mongolia for almost five years before returning to South Korea. The siblings were home-schooled by their mother in Mongolia and returned to Korea in 2012 to participate in the preliminary auditions of K-pop Star 2 in Seoul. Chanhyuk was 16 and Suhyun was 13 at that time. In spite of their lack of experience and youth, everybody, especially the judges panel composed of YG Entertainment’s Yang Hyunsuk, JYP’s Park Jinyoung, and SM’s BoA, was nothing short of impressed when the siblings sang a cover of Miss A’s “Breathe” and an original song titled “Don’t Cross Your Legs“.

The two went on to deliver performances throughout the contest that were sometimes outstanding and sometimes a bit inconsistent. In the end, they went on to win the competition. A month after winning, the siblings and the contest’s second placer Bang Yedam (currently with the YG group Treasure) signed an exclusive contract with YG Entertainment. 

Rise to Fame: It took a whole year from winning K-Pop Star 2 before AKMU debuted with their first album, Play, with three singles to be released – “200%” chosen by Yang Hyun-suk, “Melted” chosen by Akdong Musician, and “Give Love” determined by the fans. Play took number one spot on the Gaon Charts and number two on Billboard’s US World Albums Chart, while “200%” topped all South Korean charts. Akdong Musician then released the digital single, “Time and Fallen Leaves” in October. Although it was planned as the lead single for Play, it was delayed to suit the season. The song made an “all-kill” two consecutive days after release, but was not given a music video so the listeners would imagine their own stories.

Suhyun joined labelmate Lee Hi to form Hi Suhyun, which released their debut single, “I’m Different“, which won them music show trophies. After the success of “200%” and “Time and Fallen Leaves“, AKMU has had three more number 1s with “Re-bye” (from the Spring EP) in 2016; “How Can I Love the Heartbreak, You’re the One I Love” from 2019’s Sailing; and “Nakka“, a collaboration with IU from the EP Next Episode, which features AKMU collaborating with various artists. 

Through those years, AKMU even snuck in a hiatus as Chanhyuk enlisted for his mandatory military enlistment in 2017 with the Korean Marines. During this time, Suhyun occupied her time with solo activities as a radio DJ at KBS Cool FM’s Volume Up, a permanent cast member on JTBC’s Begin Again, and a soundtrack release for the TV drama Mr. Sunshine, among others. Once Chanhyuk successfully fulfilled his mandatory military service, the EP Sailing and the lead single “How Can I Love the Heartbreak, You’re the One I Love” served as their comeback.

It was a massively successful comeback with the single eventually selling more than 2.5 million copies and cementing the duo’s stardom and status as “digital monsters”. The subsequent releases revealed that the duo has decided to stay officially as “AKMU” to reinforce their more mature image. As of 2021, the duo has re-signed with YG Entertainment for five more years.

Must-Listens: It is definitely not a joke when we say that every single AKMU song is a must. But if we were to choose three, the first would be their debut single, “200%“, which showcased their singer-songwriter prowess at the start of their careers. The second one would be “Time and Fallen Leaves“, which showed their depth and artistry as young as they were, and finally, “How Can I Love the Heartbreak, You’re the One I Love“, which will just guarantee your transforming into an emotional wreck after listening to this song. 

TVXQ!

Early beginnings: We all know TVXQ! nowadays as being composed of two members, Changmin and Yunho. Old school K-pop fans from the 2000s, however, would know that this wasn’t the case. Up until 2009, TVXQ was composed of five members, with the two mentioned along with Junsu, Jaejoong, and Yoochun. 

You mean, JYJ? 

Exactly. Before JYJ and before TVXQ dwindled down to a duo, SM’s premiere second-generation group used to have five members. The group became wildly popular not just in Korea, but also in Japan and China.

The duo, Changmin and Yunho – the current members of TVXQ!  Picture credit: TVQX official twitter

Unfortunately, along with massive popularity came issues. In July 2009, members Jaejoong, Yoochun, and Junsu launched an attempt to split with their Korean management S.M. Entertainment.

They claimed that their thirteen-year contract was excessively long, schedules were held out without the permission of the members, and that there was an unfair distribution of the group’s profits from their activities. 

The Korean courts sided with them momentarily and granted them a temporary contract injunction, causing the activities of the five-member group in Korea to be canceled. To make things more awkward, Changmin and Yunho released a statement expressing support of their agency and urging their three groupmates to work things out with SM so that they could continue their activities as a group.

There was temporary peace and order among the five members, at least on their Japanese activities as they continued to promote as five members in the country. They even released their 28th and 29th singles before releasing a greatest hits album in February 2010 and releasing their 30th single a month later. In April, Avex, the group’s Japanese agency, announced the formation of a special unit JYJ. This was also launched in Korea later by the three members’ new agency C-JeS. So while JYJ proceeded in launching their new group and battling it out with SM Entertainment in the courts, TVXQ! was (un)ceremoniously converted from a 5-piece group to a duo. 

Rise to Fame: With full backing of their entertainment agency, Yunho and Changmin started a new chapter of TVXQ!’s history, this time as a duo in 2011 with the single “Keep Your Head Down”. The single gave the duo seven wins in music shows and won album of the year at the Gaon Chart K-Pop Awards. Its Japanese version also brought the duo back to the top of the country’s charts and was certified platinum by the Recording Industry Association of Japan.

Of course, with their first song as a duo, comments from the public arose that “Keep Your Head Down” is throwing shade towards their three former groupmates, telling them to be humble and not embarrass themselves by getting into a legal dispute with their former company. The duo clarified that the song is not a diss track and is actually about what a man wants to say to an ex who has left him.  

 

Since “Keep Your Head Down“, TVXQ! has continuously released music in both Korea and Japan, with the duo releasing ten more Korean singles since 2011 and 21 more Japanese singles (including “Why?”, the Japanese version of Keep Your Head Down). 

Aside from the group’s first hiatus when JYJ broke out from them in 2010, TVXQ! had its second hiatus when Yunho began serving his mandatory military service for the Republic of Korea Armed Forces in 2015. Changmin joined the Military Police months after. The duo staged a comeback in 2017 and have been active both in Japan and Korea since, even during the pandemic.  

Must-Listens: For TVXQ!’s discography as a duo, their debut single “Keep Your Head Down” is a definite must. Their 2014 track “Something” is another song that has signaled the shift of the duo in terms of their sound from a very hard-hitting hip-hop-rock fusion to a more bluesy R&B one. Finally, there’s 2018’s “The Chance of Love” that has continued the duo’s swing jazzy sound they are now more known for.  

 

BOL4

The duo, Jiyoung and Jiyoon, were classmates who grew up together in Yeongju, North Gyeongsang Province. Picture credit: Bol4 official Twitter

Alas, there’s Bolbbalgan4, or later known as BOL4 – a duo that has unfortunately become a solo act in the pandemic. Jiyoung and Jiyoon, who make up the duo, grew up together in Yeongju, North Gyeongsang Province. They were classmates. Like AKMU, BOL4 also tried their luck in a singing reality competition. They joined the sixth installment of SuperStar K in 2014 with the likes of Kim Feel, Kwak Jineon, 4th Impact, and Song Yuvin. Unfortunately, they were cut off during the elimination rounds. 

That did not hinder the pair from realizing their dreams – they went on to sign with Shofar Music. In 2016, they debuted with the name Bolbbalgan4, with the goal of making pure, honest music that is reminiscent of adolescence. In English, their name translates to blushing puberty and between the two, Jiyoon is the “blushing” one because of her shy personality and Jiyoung is in charge of “youth” because she portrays adolescence well. Actually, the complete Korean word for puberty is sachungi, which is the same as number four (sa). This is why the group’s name is shortened to BOL4.

Rise to Fame: For a new group from an unknown company, their debut EP peaked at number 30 in the charts, which isn’t bad at all. However, it was their second single “Galaxy” that propelled them to instant success, as it sold over 2.7 million copies and their first studio album where “Galaxy” is a part of peaking at #15 and selling more than 25,000 copies. 

The duo quickly shot to fame and released five successive singles that sold more than 2.5 million copies. With singles such as “Hard to Love“, “Tell Me You Love Me“, “Some“, and “To My Youth“, they immediately earned the reputation as “digimons” – digital monsters who sell singles by the millions, an elite circle occupied by artists such as Zico, IU, Heize, Lee Hi, and one of our duos earlier, AKMU.     

“Some”, “Travel“, “Bom“, and “Workaholic” eventually topped the Gaon Digital Charts, and there seemed to be no stopping the duo from achieving continuous success despite a number of odds, including stiff competition, the small company, and persistent rumors of a breakup because of alleged unequal treatment between Jiyoung and Jiyoon. Those rumors were constantly denied by the girls and their agency, much to the relief of the fans. 

That was, until April 2020. 

After an entire career filled with speculations on the real relationship between the two, Shofar Music announced the one piece of news every BOL4 follower has dreaded – Jiyoon is leaving the duo. The month after, Jiyoung released an EP Puberty Book II, with the lead single Leo featuring EXO’s Baekhyun. Jiyoon later resurfaced in the music scene as soloist ODD CHILD and with a new song entitled “DODO“, which listeners have observed sounded like a direct hit at her former partner.

In August, she issued a lengthy statement on Instagram, claiming that she actually wanted to end her stay with BOL4 properly, like in a concert. However, she was informed that Jiyoung wanted to kick her out of the duo as soon as possible, so she left the group sooner. She also claimed that she wrote the song years ago, so it hurt her that people would think that she was only taking shots at Jiyoung. 

Must-listens: The entire BOL4 discography is healing and just a pleasure to listen to, but if you need to choose only three songs, that would be “Some“, “Travel“, and “To My Youth” (which unfortunately doesn’t have a music video). 

So, there you have it – three K-pop duos. If you want more, there’s MeloMance and Fly to the Sky. Be sure to have a listen to our recommended tracks so you can appreciate these duos more. 

Categories
FEATURES LATEST STORIES

Kpop Halloween Costumes and Playlists? Check out These Halloween-themed K-pop MVs!

Red Velvet serving Kpop halloween costumes from their Peek-A-Boo music video. Photo: SMTOWN/YouTube

Boo!

If you are looking for  Kpop Halloween costumes or songs for your Kpop Halloween playlist for your party, then you’re in the right place. Let’s get into the spirit of things by watching these music videos inspired by the creepiest holiday of the year!

Chilling K-pop music videos for Halloween

Voodoo Doll, VIXX

What even is a list of dark and creepy K-pop music videos without VIXX? Of course, the concept kings must be in this list. The group has an uncanny ability to pull off wildly different concepts—ranging from ethereal to unusual to gruesome—that are not commonly seen in K-pop. In Voodoo Doll, the members are trapped by a woman (maybe a jilted lover?) hell-bent on exacting revenge by using a voodoo doll. The video also cuts into close-up shots of bloody body modification and the female character’s enjoyment in doling out the painful punishment, illustrating her character’s sadistic streak.

Watch the music video in all its haunting glory below (trigger warning: blood, gore):

Boy Meets Evil, BTS

Intense and soulful are the perfect words to describe this trailer video for BTS’s Boy Meets Evil, from the Wings album. RM opens the video by narrating an excerpt from Demian by Hermann Hesse: “My sin was not specifically this or that but consisted of having shaken hands with the devil. The devil held me in his clutches; the enemy was behind me.”

Then, J-Hope appears to perform a routine that was equal parts grim and emotional. The video, lyrics, and choreography give off that feeling that something sinister is lurking unseen. It reminds you that sometimes, the scariest, most unsettling things lie deep inside your own mind.

Watch J-Hope’s emotive performance in the video below:

Chase Me, Dreamcatcher

The dark concept isn’t normally seen in girl group music videos, but Dreamcatcher has made it a point to fully embrace the eerie in their MVs. In Chase Me, a ghost hunter spends the night at a hotel, in an attempt to capture any paranormal activity. The Dreamcatcher members are the spirits that haunt the man at every turn.

Watch their music video for Catch Me below:

Witch, Boyfriend

In the music video, the members are vampires who face off with a female vigilante killer in a red cape—who turned out to be their friend. Their discovery of this betrayal leads to a rooftop battle with the vigilante, a fight which the Boyfriend members lose.

The group also did a darker reinterpretation of Alice in Wonderland with their music video for Bounce. Unfortunately, the group disbanded in 2019. But their music videos, including Witch, are still up on YouTube. Watch it below:

Peek-a-Boo, Red Velvet

Red Velvet is no stranger to creepy yet captivating music videos, and Peek-a-Boo fits perfectly into this category. In the music video, the girls—who turn out to be a murderous bunch obsessed with pizza delivery boys—play various games with an unsuspecting pizza guy. By the time he catches on with the girls’ plan, it’s too late to escape.

Check out their music video, AKA a warning to all pizza delivery guys everywhere:

Don’t Hate Me, Epik High

K-hip-hop legends Epik High did their own spin on the Halloween theme in their music video for Don’t Hate Me. In the music video, Tablo, DJ Tukutz, and Mithra Jin slog through a dreary supermarket shift when kids dressed as movie villains and Halloween characters invade their workplace and trash the whole place. While the video featured kids in spooky costumes and causing mayhem, the song lyrics actually address the group’s fans and anti-fans.

Watch the high-energy music video below:

Full Moon, Sunmi

In Full Moon, Sunmi is a sultry vampire who turns her love interest with a bite and waits for him to transform. The man convulses, seemingly in pain as a result of the bite. As the music video progresses, we see flashbacks from the man’s younger years—he looks at Sunmi walking across a rooftop while he was stuck in a wheelchair. At the end of the video, we see the man completing his transformation into a vampire.

Watch the music video below:

TT, Twice

TT, with its sweet and cheery sound, doesn’t seem to fit the Halloween theme. But in the music video, little trick-or-treaters go somewhere they shouldn’t be and encounter the Twice members who are decked out in costumes. Admittedly, the video is more cute and charming than dark and creepy, but at least you can get Halloween outfit ideas for when the world opens up again!

The girls’ debut song, Ooh Ahh, also put a dash of cute on the Halloween theme, with its zombie apocalypse setting.

Be charmed by Twice in the TT music video below:

Thriller, BTOB

Cemeteries and catacombs automatically give people the creeps, and BTOB ups the scare factor by using these as the setting for their Thriller music video. In the first few seconds of the video, the members appear to rise from their graves as zombies. Their glowing eyes combined with their choreography added to the feel that the BTOB guys are out to take over for the night.

Check out the video below:

Shadow, Highlight (Beast)

Ruined buildings, torch-lit hallways, skulls, creepy crawlies, and people with skeleton body paint all contribute to the gothic atmosphere of the Shadow music video. The group released this track in 2013, back when they were known as Beast. In addition to the dark imagery, the video used light and shadow, as well as a mirroring effect, to evoke the feeling of being taken over by the darkness.

Watch the music video below:

Of course, there are more K-pop videos that use dark imagery—plus, there’s a whole range of other concepts that will simply blow you away! We’ve written about amazing Kpop boy group concepts and top-tier Kpop girl group concepts—make sure to check them out!

Which dark, creepy, or Halloween-inspired music video is your favorite?

Happy Kpop Halloween!

Featured image: Red Velvet serving Kpop halloween costumes from their Peek-A-Boo music video. Photo: SMTOWN/YouTube

Categories
FEATURES K-DRAMA LATEST STORIES VARIETY

Why Has Squid Game Invaded the World?

Still from behind the scenes of Squid Game. Picture credit: Screengrab from Netflix

As of the moment, it seems that the world has gotten addicted to the Korean Netflix show Squid Game. Not that anyone’s complaining though, because the show is really something. Plagiarism claims aside, the show manages to captivate everyone’s attention, not just those who have gotten bitten by the K-drama bug. And that’s good since the show’s universal appeal means that nobody can argue that its popularity only stems from K-drama fans crazily streaming the show non-stop.

A still from the shoot of Squid Game. Picture credit: Screengrab from Netflix Youtube

Netflix has actually not just shown a lot of K-dramas, but has actually broken through the Korean market in 2013 by being the sole distributor of Kingdom, a show produced by Korean production company AStory, but was solely shown on the streaming platform and not on any Korean TV channel, free-to-air or cable. It then struck a deal with producers NEW (Next Entertainment World) and JTBC to release the Lee Jungjae-headlined Chief of Staff on the same day as its premiere on the cable channel. Since then, Netflix has not only distributed K-dramas and movies but has also dabbled into producing content that would make up the company’s Korean-language original programming.


But even with the original content they produced, it always felt like Netflix’s Korean original programs catered to a niche audience. True, a good number of the shows they produced and distributed had become famous even internationally, but as mentioned earlier, most of them, even Kingdom, were still confined to an audience with an affinity for Korean-language content. 

So, even if there are a lot of people overseas who have watched Kingdom, it was assumed that these viewers were Korean-Americans or those who have already liked Korean dramas in the past. It seemed that the audience the show connected with continued to be limited to Korean drama fans, unlike other foreign Netflix shows like Lupin, Elite, and Money Heist, which have amassed huge followings from countries that aren’t French or Spanish speaking, plus haven’t had any particular loyalty to French or Spanish language content. 

That is until Squid Game came along. 

The website FlixPatrol, which analyzes streaming figures on the world’s leading online streaming platform, claims that Squid Game topped global charts on Friday, September 27, only a week since its release on September 17. It has since then kept the top position. As of press time,it still holds the top position, keeping other Netflix shows such as Sex Education, Maid, and Lucifer at bay. The fact that it has dislodged English-language shows on top of the charts and is keeping its #1 placement even in countries with very particular audiences such as the USA shows that it has really won over a huge audience, especially those that are not particularly fond of content not in English. 

 

In fact, the show has now gone down #2 in markets that are known to consume a lot of Korean language content such as Indonesia, Thailand, and the Philippines because of the weekly episodes of the Kim Seonho drama Hometown Cha-Cha-Cha (which coincidentally also has Shin Mina, who was also part of the aforementioned Chief of Staff), while maintaining the top position in other countries that are not that keen on following the shows of Hallyu stars.    

So, what is it exactly about Squid Game that has audiences from all corners of the planet wanting more? Everyone, from armchair TV critics to cultural researchers, has had their opinions amplified on mainstream and social media, and it seems to boil down to three factors: 

 

The storytelling is unique yet universal.

A lot of concepts of the show’s story may be distinctly Korean but they are exactly the same elements that hit foreign audiences hard in their feels. For one, Squid Game is about people who are psychologically and financially desperate – something so many of us can definitely identify with since the start of the pandemic, with job losses and mental health struggles abound. 

While it may not be true that the rest of us outside Korea get hounded by gangsters working for loan sharks when we run away from paying our debt (though according to Koreans themselves, that actually happens, but is not an everyday occurrence), we can relate to the desperation Gihun (Lee Jungjae) and the other 455 players feel when they are willing to risk life and limb to take home some serious money. We can relate to how Gihun’s feelings toward childhood friend Sangwoo (Park Haesoo) turned from idolization to disappointment after the former realized throughout the game how morally iffy some of his hometown hero’s decisions were. 

Finally, we can all relate to the sense of nostalgia playing those childhood games brought to the participants, particularly to mastermind player 001 Ilnam (Oh Yeongsu). Although we have resumed a lot of our activities, we have to admit that things have not been the same as they used to be, so it is inevitable that we long to remember simpler and more comfortable times when we did things such as playing just for the fun of it and not because there are consequences to our every move.

The show tapped into people’s psyche. 

Speaking of relatability, the show works not only because we can relate to the plight of Gihun and the 454  other players in terms of their desperation and police officer Junho’s (played by Wi Hajoon) urgent attempt to fight his brother, but we can also relate to the foreign VIPs, The Front Man (played by Lee Byunghun) and beloved old man with a twist Ilnam. 

Wait, what? Are you saying we have things in common with the game’s disconnected spectators?   

Of course, as the audience, we occupy a similar position to the VIPs as spectators of the game, as we satisfy our base instincts of voyeurism in finding out who survives in the rounds and who ultimately wins. It’s like an unfortunate accident happening right before your eyes that you’re telling yourself to look away, but you simply cannot. 

Allowing us to sympathize with the players and yet having a safe distance from them as we watch their activities from the comforts of home has given the show’s producers a perfect formula on how it can get us audiences hooked to the social message of the story while not making us too uncomfortable. 

With Squid Game, while we sympathize with the characters, the line between them and us is very clear, as they are the ones playing the games. We have the option to sympathize with them and at the same time be guiltless spectators just like the VIPs. After all, the VIPs are only spectators just like us; they are not the ones running the game – the workers in pink jumpsuits are actually the ones rolling out the games and dealing with all the dirty work. 

In horror movies, even those set in a game theme like Battle Royale or the Saw series, there are no spectators, so we cannot help but actually have 100% of our sympathies to the players. And it is only later when the games are through when we start to really consider if we could carve the perfect shape out of the honeycomb cookies or if we can distinguish which glass can hold human weight and which will break. In Squid Game, we are constantly reminded that we can also be detached spectators just like the VIPs. Squid Game is escapist entertainment masterfully done.

The production values are off the charts.

It cannot be denied that the production of Squid Game is just fantastic. From the secluded island where the players were confined to the playground where they played the first couple of games, the sleeping quarters that looked like a storage facility, there was nothing that was spared to make the series believable and exciting.  What’s great about the sets they used for the show is that there were some easter eggs hidden in them that keen-eyed viewers may have noticed while watching the episodes. 

The fact that most of us have seen something like Squid Games’ premise in Hunger Games and Battle Royale has not deterred us from watching the show because the scenes have been filmed in such an attention-grabbing manner.  

For example, while the sequence of games was told in advance to the Doctor (Yoo Sungjoo) the evening before the game as they helped them harvest organs of the players who were killed, there were actually murals on the walls of the players’ sleeping quarters that show the major points of the games. So, players who were more aware of their surroundings should have noticed that. But then, since they were constantly tired and paranoid of their fellow players who may attack them when the lights go out, they may not have the energy to be that sharp.

For most of the past year, we have been confined to our movements and activities, so watching shows and movies from other countries may give us some sort of comfort and pleasure that we can experience the cultures, places, and ways of living of people far away from us. We may be awed at how we have actually a lot of things more in common with people from other countries, but since they have different customs and environments, there are also interesting twists and differences that we should look out for. So for now, we just need to enjoy the show while learning some lessons from it.

Featured Image credit: Still Watching Netflix Youtube

Exit mobile version